AI Script Generator


WHY GENERATE WITH FLICK?


Flick writes the script, breaks it into shots, and generates every scene on the canvas.

AI Script Generator

HOW IT WORKS


  1. STEP 1

    DRAFT THE SCRIPT IN CHAT

    Give Flick a premise, a tense elevator negotiation, a sci-fi mission briefing, and it drafts a scene-by-scene script with action lines and dialogue. Sharpen individual lines or the pacing right there in chat until it reads the way you want.

    Writing the prompt for AI Script Generator on the Flick canvas
    Made in Flick

  2. STEP 2

    SHOOT A SCENE FROM THE PAGE

    Take a scene's action line as your shot prompt, open the video menu, and pick a model, Kling for motion, Seedance for speed, Veo 3.1 for cinematic color and dialogue. The page becomes footage on the canvas.

    Choosing a model and generating in Flick
    Made in Flick

  3. STEP 3

    LAY THE SCENES OUT

    Generate a shot for each scene and arrange them on the canvas in script order. The whole script reads back to you as a sequence you can trim into a cut.

    Assembling the shots on the Flick timeline
    Made in Flick

AI SCRIPT GENERATOR FAQS

WHAT DOES AN AI SCRIPT GENERATOR ACTUALLY PRODUCE?

It outputs a formatted document: scene headings, action lines, and dialogue, structured scene by scene. Flick goes further. Draft the script in chat, then generate storyboard frames and footage for each scene on the same canvas. No tool-switching.

HOW DOES FLICK DIFFER FROM A STANDALONE SCRIPT GENERATOR?

A standalone generator stops at the document. Flick writes the script, then lets you shoot it. Select a scene, generate a still with Nano Banana Pro or GPT Image, then push that still into Kling, Seedance, or Veo 3.1 for motion. One canvas, start to finish.

CAN I KEEP THE SAME CHARACTER CONSISTENT ACROSS EVERY SCENE?

Lock a character once with Character Reference. Face, outfit, and proportions carry across every generated shot, regardless of which model you use per scene.

WHICH VIDEO MODELS CAN I USE ONCE THE SCRIPT IS WRITTEN?

Kling handles physics and motion. Seedance prioritises fast, high-quality generation. Veo 3.1 adds cinematic quality with native audio and dialogue. Mix all three across scenes on the same canvas.

IS FLICK FREE TO USE?

Flick has a free tier: up to 300 free credits (100 at signup plus 200 for joining our Discord) plus 100 weekly credits, no credit card required. Every image model, including Nano Banana and GPT Image, is on every plan, free included, and so are MiniMax H3 Fast, MiniMax H3 Max and Pruna Draft video. Kling, Veo 3.1, Seedance and the full video model list come with the Standard plan. Paid plans start at $5 per month and increase the credit allowance.

IS THE SCRIPT AND FOOTAGE MINE TO USE?

Content generated on Flick is yours: commercial and personal projects, no restrictions. Check the terms of service for full detail.

WHAT DOES A SCRIPT GENERATED ON FLICK LOOK LIKE?

This one-page scene came out of Flick chat, unedited, from a prompt asking for a quiet two-character scene in standard screenplay format: a lighthouse keeper on her last night before the light is automated, and a radio call from a boat that sank forty years ago.

INT. LIGHTHOUSE LANTERN ROOM - NIGHT

2:00 A.M. The beam turns over black water. MAREN, sixties, folds her wool coat into a cardboard box marked KEEP. Beside it, a new automation panel blinks green. A paper tag hangs from the old switch: DISCONNECT AT DAWN.

The marine radio crackles. Maren stills.

YOUNG MAN (V.O.)
Maren?

She looks at the radio. Its power switch is off.

YOUNG MAN (V.O.)
Maren, is the light on?

She turns the switch on. Static swells, then thins.

MAREN
Who is this?

YOUNG MAN (V.O.)
The Agnes. We're coming in.

Maren's hand closes around the microphone. On the wall hangs a faded photograph: a fishing boat, THE AGNES. Beneath it, a brass plaque bearing a date forty years past.

MAREN
How far out?

Only the slow click of the turning lens.

YOUNG MAN (V.O.)
I can see your window.

Maren faces the glass. The beam passes over the sea. Nothing there.

The automation panel chirps. The great lens shudders and stops. Dark water fills the windows.

YOUNG MAN (V.O.)
Maren?

She sets down the microphone and pulls the old switch. The motor catches. Once more, light sweeps the water.

In the glass, Maren's reflection turns with the beam. Far below it, a small wet handprint appears on the outside of the lantern room window.


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