Most shot lists live in a spreadsheet. Flick breaks your scene into numbered shots, angle, framing, movement, then renders each one on the canvas.

A young woman with auburn hair reclines against a bed wearing oversized headphones, holding a small book with a soft smile, bathed in warm ambient indoor light with a casual, contemplative mood, shot in a medium close-up with a slightly low angle.
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Three stern police officers in dark navy uniforms and badges stand shoulder-to-shoulder in medium shot, bathed in flat overcast daylight, with a blurred crowd and chain-link fence behind them, radiating grim authority and unease.
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Wide cinematic shot of a woman in a dark robe standing against a pale institutional wall beside a white door, shot from behind a blurred foreground figure, cold flat lighting creating a tense, psychological mood.
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Wide shot of two stern animated figures in dark Victorian uniforms beside an ornate black-and-gold horse carriage, bathed in soft hazy morning light against a misty European cityscape, evoking quiet menace and aristocratic intrigue.
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Type a scene description — location, time of day, mood, action. Flick breaks it into a numbered shot list with angle, framing, and camera movement specified for each shot.

Reorder, cut, or rewrite any shot before rendering. Swap a wide establishing shot for a low-angle alternative. Tighten a close-up's framing without regenerating the whole sequence.

Route each shot to the right model. Nano Banana Pro for stills, Kling for motion and physics, Veo 3.1 for cinematic quality with native audio, Seedance for fast high-quality generation.
A shot list is usually a spreadsheet you take elsewhere. Flick shoots the list in place.
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