第 1 格:盒子
Jaime Yao 执导的《A Proper Introduction》
要使用 AI 制作连环漫画,首先将故事写成四个节拍,将每个节拍草绘为一个分格,将草图排成一行测试阅读效果,然后让图像模型完善每个草图并添加文字。

大多数关于如何制作连环漫画的指南都止步于关于分镜的建议,而大多数 AI 工具从文本提示词开始,将构图留给偶然。Flick 的内部制片人 Jaime Yao 采用相反的方式:在《正式介绍》这部 5 分 45 秒短片的公开画布上,896 张提示生成的图像中有 269 张将提供的草图作为参考。Jaime 制作这些草图来规划影片,我们将其中四张排成一行来展示这种方法。本指南通过八个步骤进行讲解,每张草图旁边展示模型根据它生成的结果。
| 片段 | 定义 | 功能说明 |
|---|---|---|
| 画格 | 一个带边框的绘图 | 承载故事的一个节拍 |
| 间隙 | 画格之间的空隙 | 标记时间的跳跃 |
| 对话气泡 | 包围spoken文字的形状 | 表明说话者,并按顺序阅读 |
| 说明文字 | 旁白文本框 | 提供时间、地点或想法 |
| 妙语收尾 | 最后一拍 | 反转或落实之前的一切 |
四幅速写,以条状排列
Jaime Yao 执导的《A Proper Introduction》
Jaime Yao 执导的《A Proper Introduction》
Jaime Yao 执导的《A Proper Introduction》
Jaime Yao 执导的《A Proper Introduction》
行和分镜标题是我们添加的:Jaime 制作这些作为影片的规划草图。
模型从每张草图生成的内容
Use the provided composition sketch as the only composition reference. Use the provided toy reference as the only subject reference. Generate a photoreal live-action image. Pure top-down overhead shot. Composition 100% exactly match the provided composition sketch. Camera angle 100% exactly match the provided composition sketch. Framing 100% exactly match the provided composition sketch. A small knight toy stands inside an open cardboard box. The knight toy’s helmet shape, armor silhouette, body proportions, metallic material, pink engraved ornamental details, rope, anchor, and overall toy appearance 100% match the provided toy reference. The subject is clearly a toy figure. The toy stands upright in the center area of the box. The box is an open-top apricot cardboard box placed on the ground. The box has a long rectangular proportion, with width greater than height and height greater than depth. The material is matte apricot cardboard with clearly visible fiber texture. The box has a clean open rim, with visible interior space, inner walls, cardboard thickness, and realistic folded corner construction. The exterior of the box carries a simple printed castle toy motif in a slightly darker apricot-brown tone. The interior of the box is plain apricot cardboard. A pair of adult hands and part of the forearms are visible around the box, following the composition sketch. The visible clothing is a gray knit sweater. The sweater has a soft wool knit texture and a simple everyday appearance. The hands, sleeves, and arm placement 100% follow the sketch. The box is resting on pale gray concrete ground. The concrete surface is flat and even. The concrete shows light usage marks, subtle dirt, very faint hairline cracks, clearly visible poured concrete joint lines, and a small number of scattered dry leaves. The ground texture is clearly readable from the overhead view. The lighting is outdoor morning light. Early morning sunlight falls diagonally across the frame from above. The light has a natural warm tone. The box, toy, hands, and leaves all cast clear but soft morning shadows. The shadow direction is consistent and reads as a low-angle morning sun. The light is bright and natural, with clean outdoor air. The overall image feels like a real outdoor morning photograph. The overall image reads as a clean and clear pure overhead shot. The box remains the main shape in the frame. The toy is clearly readable inside the box. Realistic cardboard texture, realistic toy metal texture, realistic sweater texture, realistic concrete texture, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Use the provided sketch as the only composition reference. Use the provided man reference as the only face, body, and clothing reference. Use the provided knight toy reference as the only toy reference. Use the provided box reference as the only box reference. Convert the image into photoreal live-action. Composition 100% exactly match the provided sketch. Camera position 100% exactly match the provided sketch. Framing 100% exactly match the provided sketch. This is a low-angle close shot inside the home office. The man sits behind the desk, looking down at the little knight toy in his hand. The man’s face is visible. The man’s facial structure, age, hairstyle, skin tone, and body proportions 100% match the provided man reference. The man wears a gray-blue knit sweater, with the material, color, and loose everyday fit matching the provided man reference. One hand holds the little knight toy. The back of the little knight toy faces the camera. The helmet, armor silhouette, drawing tube on the back, metal material, and pink engraved ornamental details of the toy 100% match the provided knight toy reference. The man looks at the toy. The lower foreground is an apricot open-top cardboard box. The box position, visible height, and frame coverage 100% match the provided sketch. The box is a lidless open-top cardboard box. Only the outer side wall and upper rim of the box are visible. The box is heavily out of focus, reading only as a soft apricot cardboard foreground shape. Do not emphasize box construction details. On the right side of the frame is the back of a black computer monitor. The monitor has a silver stand. The monitor position, size ratio, and blocking relationship 100% match the provided sketch. The monitor remains slightly out of focus. A black office chair sits behind the man and behind the desk. The chair has a wide rounded black backrest. The backrest material is black fabric or matte black woven material. The chair has black plastic armrests on both sides. The dark shape visible near the lower part of the frame is part of the office chair armrest. The office chair remains slightly out of focus as midground furniture. The background is a muted olive / gray-green home office wall. Behind the man is a window with white trim and white muntin bars. The window occupies the background behind the man. Outside the window, tree branches and leaves are visible. The outdoor branches and leaves are heavily out of focus, reading only as soft green and brown light shapes. The lighting is strong window backlight. Intense early morning sunlight enters from the window behind the man. The window area is very bright with obvious soft white bloom. The window frame edges, head outline, shoulder outline, finger edges, and toy metal edges catch bright backlit rim light. The little knight toy’s metal edges catch strong warm highlights. The front of the man’s face and sweater stay in darker indoor shadow. The room remains mostly dim, with the window as the brightest light source. Strong light contrast and visible backlight bloom. Focus on the little knight toy and the fingers holding it. The toy back, drawing tube, and finger contact area are sharp. The man’s face is slightly softer. The foreground box is heavily out of focus. The computer monitor is slightly out of focus. The office chair is slightly out of focus. The outdoor branches and leaves are heavily out of focus. realistic knit sweater texture, realistic skin texture, realistic toy metal texture, realistic cardboard color blur, realistic monitor material, realistic black fabric office chair texture, strong backlight bloom, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Use the provided sketch as the only composition reference. Use the provided man reference as the only character and clothing reference. Use the provided knight toy reference as the only toy reference. Convert the image into photoreal live action. Composition 100% exactly match the provided sketch. Camera position 100% exactly match the provided sketch. Framing 100% exactly match the provided sketch. This is a close shot inside a modest American home office. A man in a gray-blue knit sweater is seated in front of a window. His facial structure, hairline, skin tone, and sweater texture match the provided man reference. He holds a sketchbook in one hand and a pencil in the other hand. He is looking downward at the sketchbook while drawing. The sketchbook is angled toward the camera. The visible page stays mostly simple. A small knight toy appears in the foreground near the lower right area of the frame, positioned against the near edge of the sketchbook. The toy is shown from the back. The helmet shape, armor silhouette, pink engraved ornamental pattern, and the drawing tube on the back 100% match the provided knight toy reference. The toy is clearly visible as a small foreground figure. Behind the man is a white-framed window with white muntins. Outside the window, tree branches and leaves are visible. The branches and leaves are heavily out of focus and read only as soft green and brown bokeh. The outside view reads only as soft defocused color and light. Strong early morning sunlight enters from the window behind the man. The shot uses strong window backlight. The window area is very bright. There is obvious soft white bloom around the bright window. Bright rim light appears along the window frame edges, the man’s head outline, shoulder outline, finger edges, the sketchbook edge, and the metal edges of the knight toy. The light feels like strong morning sunlight from behind. The wall color is muted olive / gray-green. The overall color palette is soft, warm, and natural. Realistic skin texture, realistic knit sweater texture, realistic paper texture, realistic pencil texture, realistic metal toy texture. Subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Use the provided sketch as the only composition reference. Use the provided knight turnaround sheet as the only design reference for the tabletop knight figurine. Use the provided knight pencil sketch as the only reference for the sketchbook drawing content. Generate a realistic top-down tabletop scene. Composition 100% exactly matches the provided sketch. Camera angle 100% unchanged. Framing 100% unchanged. Object placement relationships 100% unchanged. Show a close top-down view of a warm medium-brown wooden desk. The entire tabletop is illuminated by morning sunlight. Morning sunlight falls diagonally across the desk and creates a natural bright sunlit area on the wooden surface. The sketchbook is placed in the upper area of the frame. The tabletop knight figurine is placed in the lower-right area of the frame. The size relationship between the sketchbook and the figurine 100% follows the sketch. The sketchbook is open flat, with page orientation matching the sketch. The sketchbook page shows the provided knight pencil sketch, and the drawing appears upside down in the frame. The drawing remains clearly readable and looks like a refined graphite pencil sketch. The tabletop knight figurine 100% matches the provided knight turnaround reference. Show only the parts of the figurine that are actually visible from this top-down view. Do not proactively add design elements that are not visible from this angle. The figurine is the main sharp focus subject on the desk. Focus is on the figurine. The sketchbook is slightly softer than the figurine but still clearly readable. Show real wood grain on the desk surface. The morning sunlight is bright and natural. The overall lighting feels like a quiet real morning interior. The image should have a realistic photographic feeling. Preserve real material detail. Preserve slight depth of field. Preserve subtle film grain. Preserve slight lens softness. The final result should look like a real photographed top-down desk scene, focused on the knight figurine in the lower-right area and the upside-down sketchbook drawing in the upper area.
该影片需要真人实拍效果,所以四格都是写实风格;如果要制作连环画,保持相同的草图并要求手绘风格的完成效果,如下面的步骤所示。
第 1 步
在绘制之前,将创意拆分为铺垫、发展、转折和收尾,因为一个条漫只有一个小事件的空间,而最后一格必须点题。

第 2 步
将每个节拍绘制成一个粗略的画面,确定好镜头和人物位置,因为草图在模型替你决定之前就确定了构图和比例。

第 3 步
如果你不会画画,可以让图像模型为节拍生成故事板草图,因为简单的线稿比完成的画面更容易判断和修改。

Use the provided small knight character reference as the only character reference. Generate a simple storyboard sketch. Hand-drawn storyboard sketch look, mainly line work with a small amount of simple shading, not too detailed. The camera is extremely low, almost touching the floor. The shot looks closely toward the lower part of a huge interior door. The composition focuses on the bottom of the door, the door edge, the floor, and the narrow door gap. The door occupies most of the frame and creates a strong oppressive scale. Show only the lower section of the door. The tiny knight stands near the bottom edge of the door. He grips the edge of the door with both hands and pulls it open with effort. His body leans backward clearly, and his feet brace against the floor. The action focus is visible strain. The gap is narrow, but it is clearly readable that the door is being pulled open little by little. A small area of sky-blue interior wall is visible through the gap. The wall on the outer side of the door is olive green. The door is an aged light-ivory wooden door. A small patch of sunlight falls on the floor and the door edge. The core of the image is the strong scale contrast between the huge door and the extremely tiny knight. The shot should read immediately as: the tiny knight is struggling at the bottom of the door to pull it open.
第 4 步
为每个角色制作一张包含正面、侧面和背面视图的角色表,背景为白色,因为之后完成的每个分格都会从该角色表中复制角色。

Create a full character turnaround and expression sheet for Mila based on this reference image. Layout: top row shows 4 full-body poses in a row: FRONT, 3/4 FRONT-RIGHT (body at 45 degrees), SIDE (profile), BACK. Bottom row shows 6 facial expression close-ups: HAPPY, SAD, SURPRISED, ANGRY, CURIOUS, LAUGHING. Keep her exact design from the reference: blue bob hair, red/orange skin, yellow spacesuit/jumpsuit, blue boots/shoes. Outlines only at joints and where different colors meet, no heavy interior outlines within same-color areas. Flat 2D illustration style, tricolor blue yellow and red/orange palette, white background. Label each pose and expression. Title: "Character Turnaround: Mila".
第 5 步
制作一个包含连环画所需表情的网格,因为卡通的笑点通常落在面部表情上,而表情表可以让你请求相同面孔的不同情绪。

Create a professional character expression sheet for the gaunt old tailor man in Image 1, using his exact face, hair, and features. Show 6 different emotions in a 3x2 grid, each a head and shoulders bust portrait on a plain warm light gray seamless background. The 6 emotions are: 1) Worried and anxious, 2) Quietly determined, 3) Sad and defeated, 4) Surprised and wide-eyed, 5) Bitter and grumpy, 6) Rare warm smile. Match the exact stylized cartoon painterly style of Image 1: hand-painted textured brushwork, angular exaggerated proportions, large wide expressive eyes with dark circles, swept-back grey hair, muted earthy teal and ochre palette, bold graphic shapes. Same identical face and hair in every panel. Label each panel with the emotion name below it. Bust portraits only, no full body.
第 6 步
将每张草图作为构图参考提供给模型,并用简单的文字描述手绘效果,这样它会添加线条、色彩和光线,同时保持你选择的构图不变。

Use the provided base image as the exact composition reference. Composition 100% exactly match the provided base image. Camera position 100% unchanged. Framing 100% unchanged. Perspective 100% unchanged. Scale relationships 100% unchanged. Object placement 100% unchanged. Floor layout 100% unchanged. All floorboard seam lines 100% exactly match the provided base image. All light shapes and all shadow shapes 100% exactly match the provided base image. Convert the entire image into a hand-drawn colored concept sketch. The image reads as a refined storyboard sketch or previsualization sketch made by hand. Keep all objects and all proportions exactly the same, but redraw everything as a sketch with visible hand-drawn linework and visible drawing texture. Use confident pencil and ink linework, visible sketch strokes, visible edge variation, rough construction marks, and hand-drawn contour lines. Add soft colored pencil, gouache, or marker-style color blocking over the drawing. Keep the color palette simple and readable. The wall remains light blue. The floor remains warm off-white wood. The bed remains dark brown wood. The toy ball remains orange-red. The distant toy blocks remain simple colored blocks. Preserve the exact lighting direction from the provided base image. The strong sunlight still enters from above and creates the same large bright floor shapes and the same large shadow shapes. Keep the lighting information clear and readable as painted light and shadow masses inside the sketch. The image should feel like a hand-made color sketch for a film frame, with simplified surfaces, visible drawing decisions, visible paper texture, slightly uneven hand-applied color, and clear separation between line, color, light, and shadow.
第 7 步
使用编辑提示词纠正错误的细节,说明哪些保持不变,这样一个糟糕的柜台或手部就不会让你失去一个原本喜欢的画面。

Change the kitchen countertop / front counter so it has a squared off rectangular shape with straight edges and sharp corners, instead of the current rounded curved edge. The counter should read as a clean straight rectangular block running across the front. Keep everything else exactly the same: the flat 2D pastel cartoon style, the blue-haired red-skinned woman in yellow tasting soup, the small blue cat-suit character, the steaming pot, the cabinets, hanging pans, wall chart and lighting all unchanged.
第 8 步
给图片模型提供准确的文字内容和位置,然后检查每个字母并将画格排成一行,因为文字是连环画最后一个可能出现明显错误的环节。

metti in basso al centro: Written & Directed By Katrin Ann Orbeta Hand-drawn 2D animation, illustrated storybook, cozy retro-futuristic sci-fi, warm pastel palette, soft sepia linework, vintage children's book, gentle golden light, whimsical, nostalgic, cozy spaceship interior, cinematic parallax, subtle atmospheric animation. Negative Prompt photorealistic, 3D CGI, realistic rendering, glossy surfaces, hyper-detailed textures, anime, manga, thick black outlines, neon colors, high contrast, dark horror mood, dramatic lighting, fast camera movement, excessive motion, shaky camera, realistic modern kitchen, futuristic cyberpunk aesthetic, visual clutter.
Flat 2D animation style, soft semi-visible outlines,在小画格尺寸下阅读清晰。Katrin Ann Orbeta 执导的《Mila & Sasa》
hand-painted painterly cartoon illustration style, gouache texture,为连环画带来了故事书般的质感。Simay Ezer Pekcan 执导的《Happy Souls Alive》
more painterly and watercolor,适合线条简洁、文字较少的温柔连环画。Sue Ellen Zhang 执导的《Finishing Touch》
Line-art woodcut illustration style, limited blue color palette,适合严肃题材的连环画。Jaime Yao 执导的《In Our Time》
大多数日常卡通连环画使用三到四格,足以呈现铺垫、转折和笑点。单格适合一个视觉笑话,而更长的页面适合包含多个场景的故事。
在日常使用中它们的意思相同:一系列带文字的连续绘画格,通常具有幽默性。漫画连环画(comic strip)在美国更常用,而卡通连环画(cartoon strip)在英国也广泛使用。
可以。图像模型可以根据一个提示词绘制整个连环画,或者根据草图和参考图完成每一格,第二种方式能让你更好地控制构图和角色。你仍然需要编写故事、选择画面并检查每个文字。
制作一个包含正面、侧面和背面视图以及一排表情的参考图,然后将其附加到每个格的提示词中。每次用相同的词语描述服装,当细节出现偏差时编辑单个细节,而不是重新生成整个格。
在提示词中用引号标注确切的文字,说明它们属于哪一格,并保持每行简短。检查结果中的拼写,然后用编辑提示词修正错误的文字,或在排版应用中添加文字。
从写作开始,因为节奏和台词决定了连环画是否有效。然后让图像模型为每个节奏生成简单的分镜草图,调整这些草图,再让模型完成它们。即使是几条粗略的线条也可以作为布局参考。
你可以在 Flick 免费开始,无需信用卡,使用免费积分通过 Nano Banana Pro 等图像模型制作或编辑画格。之后为画格添加动画需要视频模型,其中许多需要付费方案。
可以。使用图像转视频模型为每个完成的画格制作动画,锁定摄像机并命名少数需要移动的元素,然后按阅读顺序剪辑片段。这种形式称为动态漫画,可以在上面添加音效和配音。
本页面上的每一帧和提示词都来自上述影片的公开画布,并归功于其创作者。在 Flick TV 上观看更多用 Flick 制作的影片。
写出节奏点,勾画画格,然后在一个画布上完成并添加文字到每个画格。
免费试用,无需信用卡。
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