如何使用 AI 逐步制作连环漫画

要使用 AI 制作连环漫画,首先将故事写成四个节拍,将每个节拍草绘为一个分格,将草图排成一行测试阅读效果,然后让图像模型完善每个草图并添加文字。

三个正方形分格排成一行的粗略墨线画,每个分格中都有相同的小人物,最后一个分格有对话气泡

大多数关于如何制作连环漫画的指南都止步于关于分镜的建议,而大多数 AI 工具从文本提示词开始,将构图留给偶然。Flick 的内部制片人 Jaime Yao 采用相反的方式:在《正式介绍》这部 5 分 45 秒短片的公开画布上,896 张提示生成的图像中有 269 张将提供的草图作为参考。Jaime 制作这些草图来规划影片,我们将其中四张排成一行来展示这种方法。本指南通过八个步骤进行讲解,每张草图旁边展示模型根据它生成的结果。

什么是连环漫画?

卡通连环画是用一排绘制的画格讲述的短篇故事,通常由三到四格组成,文字以对话气泡或说明文字呈现,笑点或转折出现在最后一格。
卡通连环画的组成部分及各自作用
片段定义功能说明
画格一个带边框的绘图承载故事的一个节拍
间隙画格之间的空隙标记时间的跳跃
对话气泡包围spoken文字的形状表明说话者,并按顺序阅读
说明文字旁白文本框提供时间、地点或想法
妙语收尾最后一拍反转或落实之前的一切

四格连环漫画是什么样的?

它讲述一个从铺垫到收尾的小事件,就像 Jaime Yao 的这四幅速写连续呈现的那样:盒子里的玩具骑士、男人举起它、男人绘制它、然后骑士站在自己的肖像旁边。

四幅速写,以条状排列

俯视松散线条速写,两只手托着打开的盒子,里面站着一个小骑士

第 1 格:盒子

双手打开盒子,发现一个骑士。

Jaime Yao 执导的《A Proper Introduction》

俯视铅笔速写,从背后看到的小骑士站在打开的速写本旁,本子上有一幅画

第四格:高潮回报

骑士站在自己的肖像旁边。

Jaime Yao 执导的《A Proper Introduction》

行和分镜标题是我们添加的:Jaime 制作这些作为影片的规划草图。

模型从每张草图生成的内容

写实俯视图:穿灰色毛衣的双手捧着打开的纸板箱,箱内有一个玩具骑士

第一格,完成

Use the provided composition sketch as the only composition reference.
Use the provided toy reference as the only subject reference.
Generate a photoreal live-action image.
Pure top-down overhead shot.
Composition 100% exactly match the provided composition sketch.
Camera angle 100% exactly match the provided composition sketch.
Framing 100% exactly match the provided composition sketch.

A small knight toy stands inside an open cardboard box.
The knight toy’s helmet shape, armor silhouette, body proportions, metallic material, pink engraved ornamental details, rope, anchor, and overall toy appearance 100% match the provided toy reference.
The subject is clearly a toy figure.
The toy stands upright in the center area of the box.

The box is an open-top apricot cardboard box placed on the ground.
The box has a long rectangular proportion, with width greater than height and height greater than depth.
The material is matte apricot cardboard with clearly visible fiber texture.
The box has a clean open rim, with visible interior space, inner walls, cardboard thickness, and realistic folded corner construction.
The exterior of the box carries a simple printed castle toy motif in a slightly darker apricot-brown tone.
The interior of the box is plain apricot cardboard.

A pair of adult hands and part of the forearms are visible around the box, following the composition sketch.
The visible clothing is a gray knit sweater.
The sweater has a soft wool knit texture and a simple everyday appearance.
The hands, sleeves, and arm placement 100% follow the sketch.

The box is resting on pale gray concrete ground.
The concrete surface is flat and even.
The concrete shows light usage marks, subtle dirt, very faint hairline cracks, clearly visible poured concrete joint lines, and a small number of scattered dry leaves.
The ground texture is clearly readable from the overhead view.

The lighting is outdoor morning light.
Early morning sunlight falls diagonally across the frame from above.
The light has a natural warm tone.
The box, toy, hands, and leaves all cast clear but soft morning shadows.
The shadow direction is consistent and reads as a low-angle morning sun.
The light is bright and natural, with clean outdoor air.
The overall image feels like a real outdoor morning photograph.

The overall image reads as a clean and clear pure overhead shot.
The box remains the main shape in the frame.
The toy is clearly readable inside the box.
Realistic cardboard texture, realistic toy metal texture, realistic sweater texture, realistic concrete texture, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Jaime Yao 执导的《A Proper Introduction》
含义:俯拍视角下纸盒内站立粉色骑士玩偶,成人双手扶盒边,混凝土地面有落叶和晨光阴影。
写实场景:穿灰色毛衣的男子低头看着手中的玩具骑士,身后是明亮的窗户,前景有纸板箱

第二格,完成

Use the provided sketch as the only composition reference.
Use the provided man reference as the only face, body, and clothing reference.
Use the provided knight toy reference as the only toy reference.
Use the provided box reference as the only box reference.

Convert the image into photoreal live-action.
Composition 100% exactly match the provided sketch.
Camera position 100% exactly match the provided sketch.
Framing 100% exactly match the provided sketch.

This is a low-angle close shot inside the home office.
The man sits behind the desk, looking down at the little knight toy in his hand.
The man’s face is visible.
The man’s facial structure, age, hairstyle, skin tone, and body proportions 100% match the provided man reference.
The man wears a gray-blue knit sweater, with the material, color, and loose everyday fit matching the provided man reference.

One hand holds the little knight toy.
The back of the little knight toy faces the camera.
The helmet, armor silhouette, drawing tube on the back, metal material, and pink engraved ornamental details of the toy 100% match the provided knight toy reference.
The man looks at the toy.

The lower foreground is an apricot open-top cardboard box.
The box position, visible height, and frame coverage 100% match the provided sketch.
The box is a lidless open-top cardboard box.
Only the outer side wall and upper rim of the box are visible.
The box is heavily out of focus, reading only as a soft apricot cardboard foreground shape.
Do not emphasize box construction details.

On the right side of the frame is the back of a black computer monitor.
The monitor has a silver stand.
The monitor position, size ratio, and blocking relationship 100% match the provided sketch.
The monitor remains slightly out of focus.

A black office chair sits behind the man and behind the desk.
The chair has a wide rounded black backrest.
The backrest material is black fabric or matte black woven material.
The chair has black plastic armrests on both sides.
The dark shape visible near the lower part of the frame is part of the office chair armrest.
The office chair remains slightly out of focus as midground furniture.

The background is a muted olive / gray-green home office wall.
Behind the man is a window with white trim and white muntin bars.
The window occupies the background behind the man.
Outside the window, tree branches and leaves are visible.
The outdoor branches and leaves are heavily out of focus, reading only as soft green and brown light shapes.

The lighting is strong window backlight.
Intense early morning sunlight enters from the window behind the man.
The window area is very bright with obvious soft white bloom.
The window frame edges, head outline, shoulder outline, finger edges, and toy metal edges catch bright backlit rim light.
The little knight toy’s metal edges catch strong warm highlights.
The front of the man’s face and sweater stay in darker indoor shadow.
The room remains mostly dim, with the window as the brightest light source.
Strong light contrast and visible backlight bloom.

Focus on the little knight toy and the fingers holding it.
The toy back, drawing tube, and finger contact area are sharp.
The man’s face is slightly softer.
The foreground box is heavily out of focus.
The computer monitor is slightly out of focus.
The office chair is slightly out of focus.
The outdoor branches and leaves are heavily out of focus.

realistic knit sweater texture, realistic skin texture, realistic toy metal texture, realistic cardboard color blur, realistic monitor material, realistic black fabric office chair texture, strong backlight bloom, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Jaime Yao 执导的《A Proper Introduction》
含义:男人在家庭办公室桌前低头看手中骑士玩具,强烈逆光窗户,前景模糊杏色纸箱,写实照片风格。
写实场景:穿灰色毛衣的男子在窗边的速写本上画画,前景有玩具骑士

第三格,完成

Use the provided sketch as the only composition reference.
Use the provided man reference as the only character and clothing reference.
Use the provided knight toy reference as the only toy reference.

Convert the image into photoreal live action.
Composition 100% exactly match the provided sketch.
Camera position 100% exactly match the provided sketch.
Framing 100% exactly match the provided sketch.

This is a close shot inside a modest American home office.
A man in a gray-blue knit sweater is seated in front of a window.
His facial structure, hairline, skin tone, and sweater texture match the provided man reference.
He holds a sketchbook in one hand and a pencil in the other hand.
He is looking downward at the sketchbook while drawing.
The sketchbook is angled toward the camera.
The visible page stays mostly simple.

A small knight toy appears in the foreground near the lower right area of the frame, positioned against the near edge of the sketchbook.
The toy is shown from the back.
The helmet shape, armor silhouette, pink engraved ornamental pattern, and the drawing tube on the back 100% match the provided knight toy reference.
The toy is clearly visible as a small foreground figure.

Behind the man is a white-framed window with white muntins.
Outside the window, tree branches and leaves are visible.
The branches and leaves are heavily out of focus and read only as soft green and brown bokeh.
The outside view reads only as soft defocused color and light.

Strong early morning sunlight enters from the window behind the man.
The shot uses strong window backlight.
The window area is very bright.
There is obvious soft white bloom around the bright window.
Bright rim light appears along the window frame edges, the man’s head outline, shoulder outline, finger edges, the sketchbook edge, and the metal edges of the knight toy.
The light feels like strong morning sunlight from behind.

The wall color is muted olive / gray-green.
The overall color palette is soft, warm, and natural.
Realistic skin texture, realistic knit sweater texture, realistic paper texture, realistic pencil texture, realistic metal toy texture.
Subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Jaime Yao 执导的《A Proper Introduction》
含义:家庭办公室内,穿蓝灰毛衣的男人在窗前背光下低头画素描本,前景有粉纹骑士玩具,逆光柔焦真实摄影风格。
写实俯视图:玩具骑士位于打开的速写本旁边,速写本上有铅笔素描,放在阳光照射的木桌上

第四格,完成

Use the provided sketch as the only composition reference.
Use the provided knight turnaround sheet as the only design reference for the tabletop knight figurine.
Use the provided knight pencil sketch as the only reference for the sketchbook drawing content.

Generate a realistic top-down tabletop scene.
Composition 100% exactly matches the provided sketch.
Camera angle 100% unchanged.
Framing 100% unchanged.
Object placement relationships 100% unchanged.

Show a close top-down view of a warm medium-brown wooden desk.
The entire tabletop is illuminated by morning sunlight.
Morning sunlight falls diagonally across the desk and creates a natural bright sunlit area on the wooden surface.
The sketchbook is placed in the upper area of the frame.
The tabletop knight figurine is placed in the lower-right area of the frame.
The size relationship between the sketchbook and the figurine 100% follows the sketch.
The sketchbook is open flat, with page orientation matching the sketch.
The sketchbook page shows the provided knight pencil sketch, and the drawing appears upside down in the frame.
The drawing remains clearly readable and looks like a refined graphite pencil sketch.

The tabletop knight figurine 100% matches the provided knight turnaround reference.
Show only the parts of the figurine that are actually visible from this top-down view.
Do not proactively add design elements that are not visible from this angle.
The figurine is the main sharp focus subject on the desk.
Focus is on the figurine.
The sketchbook is slightly softer than the figurine but still clearly readable.

Show real wood grain on the desk surface.
The morning sunlight is bright and natural.
The overall lighting feels like a quiet real morning interior.
The image should have a realistic photographic feeling.
Preserve real material detail.
Preserve slight depth of field.
Preserve subtle film grain.
Preserve slight lens softness.
The final result should look like a real photographed top-down desk scene, focused on the knight figurine in the lower-right area and the upside-down sketchbook drawing in the upper area.
Jaime Yao 执导的《A Proper Introduction》
含义:俯拍木桌面,晨光斜照,下方骑士手办对焦清晰,上方素描本页面倒置显示骑士铅笔画,真实摄影质感。

该影片需要真人实拍效果,所以四格都是写实风格;如果要制作连环画,保持相同的草图并要求手绘风格的完成效果,如下面的步骤所示。

如何使用 AI 逐步制作连环漫画?

八个步骤:撰写四个节拍,为每格绘制草图或生成草图,设计每个角色,制作面部模型表,以手绘风格完成,修复单个细节,然后为连环画添加文字。
  1. 第 1 步

    撰写四个节拍

    在绘制之前,将创意拆分为铺垫、发展、转折和收尾,因为一个条漫只有一个小事件的空间,而最后一格必须点题。

    • 每个节拍用一行描述就够了,例如上面第1格的"一个男人在盒子里发现一个玩具骑士"。
    • 每个节拍需要一个读者能看到的动作,就像这个草图只需要一个在床上的男人和一个在门口的女孩。
    • 大声朗读这些节拍,然后删掉任何下一格已经解释过的节拍。
    Simple line sketch of a man sitting on the edge of a bed while a small girl stands in an open doorway
    Jaime Yao 执导的《A Proper Introduction》
  2. 第 2 步

    绘制每一格的草图

    将每个节拍绘制成一个粗略的画面,确定好镜头和人物位置,因为草图在模型替你决定之前就确定了构图和比例。

    • 粗略即可:上面 Jaime 的分格只用几条线表示窗户、人物和盒子。
    • 现在把草图排成一行,因为用松散线条都读不通的条漫,完成后也读不通。
    • 在不同分格之间改变距离,就像上面这一行从俯视切换到中景再到特写。
    • Jaime 在 《Ser Loras》幕后中解释了草图阶段,更多草图画面请参见我们的故事板模板。
    Line sketch of a small knight standing beside the tall edge of a door
    Jaime Yao 执导的《A Proper Introduction》
  3. 第 3 步

    或者生成草图

    如果你不会画画,可以让图像模型为节拍生成故事板草图,因为简单的线稿比完成的画面更容易判断和修改。

    • 来自同一画布的这个提示词要求"主要是线稿,带少量简单阴影,不要太详细"。
    • 它首先设置镜头,"几乎贴着地板",然后说明镜头应该如何呈现。
    • 最后一行是分格的测试标准:读者应该立即理解什么?
    Storyboard sketch of a tiny knight bracing his feet and pulling open the bottom of a huge door
    由 Jaime Yao 执导的《A Proper Introduction》 · Nano Banana Pro
    Use the provided small knight character reference as the only character reference.
    Generate a simple storyboard sketch.
    Hand-drawn storyboard sketch look, mainly line work with a small amount of simple shading, not too detailed.
    The camera is extremely low, almost touching the floor.
    The shot looks closely toward the lower part of a huge interior door.
    The composition focuses on the bottom of the door, the door edge, the floor, and the narrow door gap.
    The door occupies most of the frame and creates a strong oppressive scale.
    Show only the lower section of the door.
    The tiny knight stands near the bottom edge of the door.
    He grips the edge of the door with both hands and pulls it open with effort.
    His body leans backward clearly, and his feet brace against the floor. The action focus is visible strain.
    The gap is narrow, but it is clearly readable that the door is being pulled open little by little.
    A small area of sky-blue interior wall is visible through the gap.
    The wall on the outer side of the door is olive green.
    The door is an aged light-ivory wooden door.
    A small patch of sunlight falls on the floor and the door edge.
    The core of the image is the strong scale contrast between the huge door and the extremely tiny knight.
    The shot should read immediately as: the tiny knight is struggling at the bottom of the door to pull it open.
    含义:极低机位手绘分镜草图,微小骑士在巨大象牙色木门底部用力拉开门缝,强烈尺度对比,橄榄绿墙和天蓝内墙。
  4. 第 4 步

    设计每个角色

    为每个角色制作一张包含正面、侧面和背面视图的角色表,背景为白色,因为之后完成的每个分格都会从该角色表中复制角色。

    • 这张角色表来自 Mila & Sasa,这是 Katrin Ann Orbeta 在 Flick Residency 创作的平面 2D 卡通,其简洁的造型适合连环画。
    • 她的提示词要求"仅在关节处和不同颜色交接处绘制轮廓线",这样可以减少需要重复的线条。
    • 更多布局可在我们的角色转身表合集中找到。
    Model sheet of a blue-haired woman in a yellow suit in four full-body views above six labelled expressions
    Katrin Ann Orbeta 执导的《Mila & Sasa》 · Nano Banana 2
    Create a full character turnaround and expression sheet for Mila based on this reference image. Layout: top row shows 4 full-body poses in a row: FRONT, 3/4 FRONT-RIGHT (body at 45 degrees), SIDE (profile), BACK. Bottom row shows 6 facial expression close-ups: HAPPY, SAD, SURPRISED, ANGRY, CURIOUS, LAUGHING. Keep her exact design from the reference: blue bob hair, red/orange skin, yellow spacesuit/jumpsuit, blue boots/shoes. Outlines only at joints and where different colors meet, no heavy interior outlines within same-color areas. Flat 2D illustration style, tricolor blue yellow and red/orange palette, white background. Label each pose and expression. Title: "Character Turnaround: Mila".
    含义:角色转面表情表,蓝发红皮肤黄太空服的米拉,四个全身姿态和六个面部表情,平面三色插画风格,白色背景。
  5. 第 5 步

    制作表情表

    制作一个包含连环画所需表情的网格,因为卡通的笑点通常落在面部表情上,而表情表可以让你请求相同面孔的不同情绪。

    • Simay Ezer Pekcan 为她在 Happy Souls Alive 中的裁缝设计了六种情绪,从"担忧和焦虑"到"罕见的温暖微笑"。
    • "每个分格中相同且一致的面孔和头发"可以保护角色从一格到下一格的相似度。
    Grid of six painted portraits of a gaunt old tailor, each with a different labelled emotion
    由 Simay Ezer Pekcan 执导的《Happy Souls Alive》 · GPT Image 2
    Create a professional character expression sheet for the gaunt old tailor man in Image 1, using his exact face, hair, and features. Show 6 different emotions in a 3x2 grid, each a head and shoulders bust portrait on a plain warm light gray seamless background. The 6 emotions are: 1) Worried and anxious, 2) Quietly determined, 3) Sad and defeated, 4) Surprised and wide-eyed, 5) Bitter and grumpy, 6) Rare warm smile. Match the exact stylized cartoon painterly style of Image 1: hand-painted textured brushwork, angular exaggerated proportions, large wide expressive eyes with dark circles, swept-back grey hair, muted earthy teal and ochre palette, bold graphic shapes. Same identical face and hair in every panel. Label each panel with the emotion name below it. Bust portraits only, no full body.
    含义:瘦削老裁缝的六格表情设定,焦虑坚定悲伤惊讶苦涩微笑,手绘风格化卡通画风,土黄青色调,灰色背景半身像。
  6. 第 6 步

    以手绘风格完成

    将每张草图作为构图参考提供给模型,并用简单的文字描述手绘效果,这样它会添加线条、色彩和光线,同时保持你选择的构图不变。

    • 第 2 分格的早期版本直接这样要求:"将草图转换为轻度着色的写实分镜概念帧。"
    • 这一帧从基础图像而非草图开始,我们展示它是为了其效果描述:"自信的铅笔和墨水线条"以及"马克笔风格的色块"。
    • Jaime 给每个参考赋予一个任务,就像上面的提示词中使用"唯一的构图参考"和"唯一的玩具参考"那样。
    • 在 Flick 中,你可以添加草图和角色设定表作为参考图片;GPT Image 2.5 最多可以接受 10 张参考图片。
    Colored marker sketch of a wide floor in sunlight with a tiny figure, a heavy bed frame, an orange ball and toy blocks
    由 Jaime Yao 执导的《A Proper Introduction》 · Nano Banana Pro
    Use the provided base image as the exact composition reference.
    Composition 100% exactly match the provided base image.
    Camera position 100% unchanged.
    Framing 100% unchanged.
    Perspective 100% unchanged.
    Scale relationships 100% unchanged.
    Object placement 100% unchanged.
    Floor layout 100% unchanged.
    All floorboard seam lines 100% exactly match the provided base image.
    All light shapes and all shadow shapes 100% exactly match the provided base image.
    
    Convert the entire image into a hand-drawn colored concept sketch.
    The image reads as a refined storyboard sketch or previsualization sketch made by hand.
    Keep all objects and all proportions exactly the same, but redraw everything as a sketch with visible hand-drawn linework and visible drawing texture.
    
    Use confident pencil and ink linework, visible sketch strokes, visible edge variation, rough construction marks, and hand-drawn contour lines.
    Add soft colored pencil, gouache, or marker-style color blocking over the drawing.
    Keep the color palette simple and readable.
    The wall remains light blue.
    The floor remains warm off-white wood.
    The bed remains dark brown wood.
    The toy ball remains orange-red.
    The distant toy blocks remain simple colored blocks.
    
    Preserve the exact lighting direction from the provided base image.
    The strong sunlight still enters from above and creates the same large bright floor shapes and the same large shadow shapes.
    Keep the lighting information clear and readable as painted light and shadow masses inside the sketch.
    
    The image should feel like a hand-made color sketch for a film frame, with simplified surfaces, visible drawing decisions, visible paper texture, slightly uneven hand-applied color, and clear separation between line, color, light, and shadow.
    含义:完全匹配原构图的手绘彩色概念草图,可见铅笔线稿和水粉色块,保留蓝墙木地板棕床强烈阳光阴影。
  7. 第 7 步

    修正单个细节

    使用编辑提示词纠正错误的细节,说明哪些保持不变,这样一个糟糕的柜台或手部就不会让你失去一个原本喜欢的画面。

    • Mila & Sasa 画布上 408 个提示词生成的图片中,有 33 个说明了其他所有内容保持原样。
    • 先说明要改变的内容,然后列出不能移动的元素,就像这个提示词对角色、锅和橱柜所做的那样。
    A blue-haired cook in yellow tastes soup at a straight grey counter while a small blue alien watches
    Katrin Ann Orbeta 执导的《Mila & Sasa》 · Nano Banana 2
    Change the kitchen countertop / front counter so it has a squared off rectangular shape with straight edges and sharp corners, instead of the current rounded curved edge. The counter should read as a clean straight rectangular block running across the front. Keep everything else exactly the same: the flat 2D pastel cartoon style, the blue-haired red-skinned woman in yellow tasting soup, the small blue cat-suit character, the steaming pot, the cabinets, hanging pans, wall chart and lighting all unchanged.
    含义:将厨房台面改成方正直角矩形边缘,保持其他元素不变,包括蓝发红肤女子和蓝色猫装角色。
  8. 第 8 步

    为连环画添加文字

    给图片模型提供准确的文字内容和位置,然后检查每个字母并将画格排成一行,因为文字是连环画最后一个可能出现明显错误的环节。

    • Katrin 的提示词以"metti in basso al centro"开头,意大利语意为"放在底部中央",然后逐字给出署名行。
    • 在我们对两个图片模型的比较中,两者都在一个六格漫画页面上正确拼写了全部三个引用的对话框。
    • 在画布上排列完成的画格,然后让图片模型设置行、间距和对话框,正如 AI 漫画生成器所描述的那样,或者使用布局应用程序进行精确控制。
    Cartoon title card reading Mila and Sasa over a spaceship cockpit, with a director's credit lettered at the bottom
    Katrin Ann Orbeta 执导的《Mila & Sasa》 · Nano Banana 2
    metti in basso al centro: 
    Written & Directed By 
    Katrin Ann Orbeta
    
    
    Hand-drawn 2D animation, illustrated storybook, cozy retro-futuristic sci-fi, warm pastel palette, soft sepia linework, vintage children's book, gentle golden light, whimsical, nostalgic, cozy spaceship interior, cinematic parallax, subtle atmospheric animation. Negative Prompt photorealistic, 3D CGI, realistic rendering, glossy surfaces, hyper-detailed textures, anime, manga, thick black outlines, neon colors, high contrast, dark horror mood, dramatic lighting, fast camera movement, excessive motion, shaky camera, realistic modern kitchen, futuristic cyberpunk aesthetic, visual clutter.
    含义:在底部中央添加手写导演署名文字,保持温暖复古未来科幻手绘风格和柔和怀旧色调。

哪种绘画风格适合连环漫画?

任何可以用几个词描述并在每个提示词中重复的风格都可以,所以在第一格之前选好一种;这四种来自真实影片,附上其创作者使用的描述词。
一位蓝发厨师在飞船炉灶旁品尝汤,旁边站着一个蓝色小外星人,柔和的平面色彩

平面柔和色

Katrin Ann Orbeta 的描述词是 Flat 2D animation style, soft semi-visible outlines,在小画格尺寸下阅读清晰。

Katrin Ann Orbeta 执导的《Mila & Sasa》

一群眉毛浓重、留着胡须的城镇居民站在中世纪广场上,彼此紧密相依,画风如画

水粉画

Simay Ezer Pekcan 的提示词是hand-painted painterly cartoon illustration style, gouache texture,为连环画带来了故事书般的质感。

Simay Ezer Pekcan 执导的《Happy Souls Alive》

一幅水彩肖像画,描绘一位黑发盘起、双颊泛红的年轻女性,背景是淡淡的水彩晕染

柔和水彩

Sue Ellen Zhang 为 Finishing Touch 创作的提示词是more painterly and watercolor,适合线条简洁、文字较少的温柔连环画。

Sue Ellen Zhang 执导的《Finishing Touch》

蓝色墨水插画,描绘破墙中的开放门道,以厚重的木刻线条绘制

蓝色木刻

Jaime Yao 为 In Our Time 创作的提示词指定了Line-art woodcut illustration style, limited blue color palette,适合严肃题材的连环画。

Jaime Yao 执导的《In Our Time》

如何保持连环漫画的一致性?

先用草图固定画面构图,再用参考图固定其他所有元素,每个各司其职——这就是 A Proper Introduction 画布中逐个镜头编写提示词的方式。
  1. 1. 先画草图再写提示词

    Decide each frame on paper first, as 269 of the 896 prompted images on the canvas name a provided sketch, so the model never has to choose your framing.
  2. 2. 每个参考图各司其职

    Tell the model what each image is for, as 281 prompts on the canvas call one image "the only composition reference," so a sketch's rough figure does not replace your character.
  3. 3. 用数字锁定

    Say how much must match, as 765 of the 896 prompts use "100%" in lines such as "Camera position 100% unchanged," rather than asking for something similar.
  4. 4. 要求手绘效果

    Name the finish you want in the prompt, as "This is not a final photoreal render" does in an earlier pass at panel 2, because the same sketch can end up as a drawing or a photo.
  5. 5. 每格一个节奏

    Give each panel one action and at most one spoken line, so readers always know where to look and the words fit without crowding the drawing.
  6. 6. 把转折留到最后

    Keep the surprise for the last panel, as the row above saves the toy knight standing beside its own portrait until the man has finished drawing it.

关于制作连环漫画的问题

卡通连环画应该有多少格?

大多数日常卡通连环画使用三到四格,足以呈现铺垫、转折和笑点。单格适合一个视觉笑话,而更长的页面适合包含多个场景的故事。

卡通连环画和漫画连环画有什么区别?

在日常使用中它们的意思相同:一系列带文字的连续绘画格,通常具有幽默性。漫画连环画(comic strip)在美国更常用,而卡通连环画(cartoon strip)在英国也广泛使用。

AI 可以制作卡通连环画吗?

可以。图像模型可以根据一个提示词绘制整个连环画,或者根据草图和参考图完成每一格,第二种方式能让你更好地控制构图和角色。你仍然需要编写故事、选择画面并检查每个文字。

如何在每一格中保持相同的角色?

制作一个包含正面、侧面和背面视图以及一排表情的参考图,然后将其附加到每个格的提示词中。每次用相同的词语描述服装,当细节出现偏差时编辑单个细节,而不是重新生成整个格。

如何为 AI 卡通添加对话气泡?

在提示词中用引号标注确切的文字,说明它们属于哪一格,并保持每行简短。检查结果中的拼写,然后用编辑提示词修正错误的文字,或在排版应用中添加文字。

如果不会画画,如何制作漫画连环画?

从写作开始,因为节奏和台词决定了连环画是否有效。然后让图像模型为每个节奏生成简单的分镜草图,调整这些草图,再让模型完成它们。即使是几条粗略的线条也可以作为布局参考。

我可以免费制作卡通连环画吗?

你可以在 Flick 免费开始,无需信用卡,使用免费积分通过 Nano Banana Pro 等图像模型制作或编辑画格。之后为画格添加动画需要视频模型,其中许多需要付费方案。

卡通连环画可以转换成动画吗?

可以。使用图像转视频模型为每个完成的画格制作动画,锁定摄像机并命名少数需要移动的元素,然后按阅读顺序剪辑片段。这种形式称为动态漫画,可以在上面添加音效和配音。

更多关于 Flick 中漫画和卡通的内容

本指南中的影片

本页面上的每一帧和提示词都来自上述影片的公开画布,并归功于其创作者。在 Flick TV 上观看更多用 Flick 制作的影片。

制作你自己的卡通连环画

写出节奏点,勾画画格,然后在一个画布上完成并添加文字到每个画格。

在 Flick 中制作您的连环漫画

免费试用,无需信用卡。

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