第 1 格:盒子
Jaime Yao 執導的《A Proper Introduction》
要用 AI 製作連環漫畫,將故事寫成四個節奏,將每個節奏繪製成一個格子,將草稿排成一行以測試閱讀效果,然後讓圖像模型完成每個草稿並加上文字。

大多數關於如何製作漫畫連環畫的指南都止步於分鏡建議,而大多數 AI 工具則從文字提示詞開始,將構圖交給運氣。Flick 內部影像創作者 Jaime Yao 採用相反的方式:在《正式介紹》這部 5 分 45 秒短片的公開畫布上,896 張生成圖片中有 269 張在提示詞中指定了提供的草圖作為參考。Jaime 製作這些草圖來規劃影片,我們將其中四張排成一列來展示這個方法。本指南分八個步驟引導您完成,每張草圖旁邊都有模型從中生成的結果。
| 部分 | 定義 | 功能說明 |
|---|---|---|
| 分格 | 一個有框的繪圖 | 承載故事的一個節奏 |
| 間隙 | 分格之間的空隙 | 標示時間的跳躍 |
| 對話框 | 包圍對話文字的形狀 | 顯示說話者,並按順序閱讀 |
| 說明文字 | 旁白文字框 | 提供時間、地點或想法 |
| 妙語收尾 | 最後一拍 | 扭轉或落實之前的一切 |
四幅速寫,以條狀排列
Jaime Yao 執導的《A Proper Introduction》
Jaime Yao 執導的《A Proper Introduction》
Jaime Yao 執導的《A Proper Introduction》
Jaime Yao 執導的《A Proper Introduction》
這一列和分鏡標題是我們加上的:Jaime 製作這些作為影片的規劃草圖。
模型從各草圖生成的結果
Use the provided composition sketch as the only composition reference. Use the provided toy reference as the only subject reference. Generate a photoreal live-action image. Pure top-down overhead shot. Composition 100% exactly match the provided composition sketch. Camera angle 100% exactly match the provided composition sketch. Framing 100% exactly match the provided composition sketch. A small knight toy stands inside an open cardboard box. The knight toy’s helmet shape, armor silhouette, body proportions, metallic material, pink engraved ornamental details, rope, anchor, and overall toy appearance 100% match the provided toy reference. The subject is clearly a toy figure. The toy stands upright in the center area of the box. The box is an open-top apricot cardboard box placed on the ground. The box has a long rectangular proportion, with width greater than height and height greater than depth. The material is matte apricot cardboard with clearly visible fiber texture. The box has a clean open rim, with visible interior space, inner walls, cardboard thickness, and realistic folded corner construction. The exterior of the box carries a simple printed castle toy motif in a slightly darker apricot-brown tone. The interior of the box is plain apricot cardboard. A pair of adult hands and part of the forearms are visible around the box, following the composition sketch. The visible clothing is a gray knit sweater. The sweater has a soft wool knit texture and a simple everyday appearance. The hands, sleeves, and arm placement 100% follow the sketch. The box is resting on pale gray concrete ground. The concrete surface is flat and even. The concrete shows light usage marks, subtle dirt, very faint hairline cracks, clearly visible poured concrete joint lines, and a small number of scattered dry leaves. The ground texture is clearly readable from the overhead view. The lighting is outdoor morning light. Early morning sunlight falls diagonally across the frame from above. The light has a natural warm tone. The box, toy, hands, and leaves all cast clear but soft morning shadows. The shadow direction is consistent and reads as a low-angle morning sun. The light is bright and natural, with clean outdoor air. The overall image feels like a real outdoor morning photograph. The overall image reads as a clean and clear pure overhead shot. The box remains the main shape in the frame. The toy is clearly readable inside the box. Realistic cardboard texture, realistic toy metal texture, realistic sweater texture, realistic concrete texture, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Use the provided sketch as the only composition reference. Use the provided man reference as the only face, body, and clothing reference. Use the provided knight toy reference as the only toy reference. Use the provided box reference as the only box reference. Convert the image into photoreal live-action. Composition 100% exactly match the provided sketch. Camera position 100% exactly match the provided sketch. Framing 100% exactly match the provided sketch. This is a low-angle close shot inside the home office. The man sits behind the desk, looking down at the little knight toy in his hand. The man’s face is visible. The man’s facial structure, age, hairstyle, skin tone, and body proportions 100% match the provided man reference. The man wears a gray-blue knit sweater, with the material, color, and loose everyday fit matching the provided man reference. One hand holds the little knight toy. The back of the little knight toy faces the camera. The helmet, armor silhouette, drawing tube on the back, metal material, and pink engraved ornamental details of the toy 100% match the provided knight toy reference. The man looks at the toy. The lower foreground is an apricot open-top cardboard box. The box position, visible height, and frame coverage 100% match the provided sketch. The box is a lidless open-top cardboard box. Only the outer side wall and upper rim of the box are visible. The box is heavily out of focus, reading only as a soft apricot cardboard foreground shape. Do not emphasize box construction details. On the right side of the frame is the back of a black computer monitor. The monitor has a silver stand. The monitor position, size ratio, and blocking relationship 100% match the provided sketch. The monitor remains slightly out of focus. A black office chair sits behind the man and behind the desk. The chair has a wide rounded black backrest. The backrest material is black fabric or matte black woven material. The chair has black plastic armrests on both sides. The dark shape visible near the lower part of the frame is part of the office chair armrest. The office chair remains slightly out of focus as midground furniture. The background is a muted olive / gray-green home office wall. Behind the man is a window with white trim and white muntin bars. The window occupies the background behind the man. Outside the window, tree branches and leaves are visible. The outdoor branches and leaves are heavily out of focus, reading only as soft green and brown light shapes. The lighting is strong window backlight. Intense early morning sunlight enters from the window behind the man. The window area is very bright with obvious soft white bloom. The window frame edges, head outline, shoulder outline, finger edges, and toy metal edges catch bright backlit rim light. The little knight toy’s metal edges catch strong warm highlights. The front of the man’s face and sweater stay in darker indoor shadow. The room remains mostly dim, with the window as the brightest light source. Strong light contrast and visible backlight bloom. Focus on the little knight toy and the fingers holding it. The toy back, drawing tube, and finger contact area are sharp. The man’s face is slightly softer. The foreground box is heavily out of focus. The computer monitor is slightly out of focus. The office chair is slightly out of focus. The outdoor branches and leaves are heavily out of focus. realistic knit sweater texture, realistic skin texture, realistic toy metal texture, realistic cardboard color blur, realistic monitor material, realistic black fabric office chair texture, strong backlight bloom, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Use the provided sketch as the only composition reference. Use the provided man reference as the only character and clothing reference. Use the provided knight toy reference as the only toy reference. Convert the image into photoreal live action. Composition 100% exactly match the provided sketch. Camera position 100% exactly match the provided sketch. Framing 100% exactly match the provided sketch. This is a close shot inside a modest American home office. A man in a gray-blue knit sweater is seated in front of a window. His facial structure, hairline, skin tone, and sweater texture match the provided man reference. He holds a sketchbook in one hand and a pencil in the other hand. He is looking downward at the sketchbook while drawing. The sketchbook is angled toward the camera. The visible page stays mostly simple. A small knight toy appears in the foreground near the lower right area of the frame, positioned against the near edge of the sketchbook. The toy is shown from the back. The helmet shape, armor silhouette, pink engraved ornamental pattern, and the drawing tube on the back 100% match the provided knight toy reference. The toy is clearly visible as a small foreground figure. Behind the man is a white-framed window with white muntins. Outside the window, tree branches and leaves are visible. The branches and leaves are heavily out of focus and read only as soft green and brown bokeh. The outside view reads only as soft defocused color and light. Strong early morning sunlight enters from the window behind the man. The shot uses strong window backlight. The window area is very bright. There is obvious soft white bloom around the bright window. Bright rim light appears along the window frame edges, the man’s head outline, shoulder outline, finger edges, the sketchbook edge, and the metal edges of the knight toy. The light feels like strong morning sunlight from behind. The wall color is muted olive / gray-green. The overall color palette is soft, warm, and natural. Realistic skin texture, realistic knit sweater texture, realistic paper texture, realistic pencil texture, realistic metal toy texture. Subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Use the provided sketch as the only composition reference. Use the provided knight turnaround sheet as the only design reference for the tabletop knight figurine. Use the provided knight pencil sketch as the only reference for the sketchbook drawing content. Generate a realistic top-down tabletop scene. Composition 100% exactly matches the provided sketch. Camera angle 100% unchanged. Framing 100% unchanged. Object placement relationships 100% unchanged. Show a close top-down view of a warm medium-brown wooden desk. The entire tabletop is illuminated by morning sunlight. Morning sunlight falls diagonally across the desk and creates a natural bright sunlit area on the wooden surface. The sketchbook is placed in the upper area of the frame. The tabletop knight figurine is placed in the lower-right area of the frame. The size relationship between the sketchbook and the figurine 100% follows the sketch. The sketchbook is open flat, with page orientation matching the sketch. The sketchbook page shows the provided knight pencil sketch, and the drawing appears upside down in the frame. The drawing remains clearly readable and looks like a refined graphite pencil sketch. The tabletop knight figurine 100% matches the provided knight turnaround reference. Show only the parts of the figurine that are actually visible from this top-down view. Do not proactively add design elements that are not visible from this angle. The figurine is the main sharp focus subject on the desk. Focus is on the figurine. The sketchbook is slightly softer than the figurine but still clearly readable. Show real wood grain on the desk surface. The morning sunlight is bright and natural. The overall lighting feels like a quiet real morning interior. The image should have a realistic photographic feeling. Preserve real material detail. Preserve slight depth of field. Preserve subtle film grain. Preserve slight lens softness. The final result should look like a real photographed top-down desk scene, focused on the knight figurine in the lower-right area and the upside-down sketchbook drawing in the upper area.
這部影片需要真人實拍,所以四格都是寫實照片風格;若要製作連環畫,保持相同的草圖,改為要求手繪完稿風格,如下方步驟所示。
第 1 步
在繪製之前,先將想法拆分為鋪陳、發展、轉折和收尾,因為一個條漫只有空間容納一個小事件,而最後一格必須點題。

第 2 步
將每個節拍繪製成粗略的分鏡,並設定好鏡頭和人物位置,因為草圖能在模型替你決定之前就確定構圖和比例。

第 3 步
如果你不會畫圖,可以請圖像模型為節拍生成分鏡草圖,因為簡單的線條繪圖比完成的圖片更容易判斷和修改。

Use the provided small knight character reference as the only character reference. Generate a simple storyboard sketch. Hand-drawn storyboard sketch look, mainly line work with a small amount of simple shading, not too detailed. The camera is extremely low, almost touching the floor. The shot looks closely toward the lower part of a huge interior door. The composition focuses on the bottom of the door, the door edge, the floor, and the narrow door gap. The door occupies most of the frame and creates a strong oppressive scale. Show only the lower section of the door. The tiny knight stands near the bottom edge of the door. He grips the edge of the door with both hands and pulls it open with effort. His body leans backward clearly, and his feet brace against the floor. The action focus is visible strain. The gap is narrow, but it is clearly readable that the door is being pulled open little by little. A small area of sky-blue interior wall is visible through the gap. The wall on the outer side of the door is olive green. The door is an aged light-ivory wooden door. A small patch of sunlight falls on the floor and the door edge. The core of the image is the strong scale contrast between the huge door and the extremely tiny knight. The shot should read immediately as: the tiny knight is struggling at the bottom of the door to pull it open.
第 4 步
為每個角色製作一張包含正面、側面和背面視圖的白色背景角色表,因為您之後完成的每個畫格都會從該角色表中複製角色。

Create a full character turnaround and expression sheet for Mila based on this reference image. Layout: top row shows 4 full-body poses in a row: FRONT, 3/4 FRONT-RIGHT (body at 45 degrees), SIDE (profile), BACK. Bottom row shows 6 facial expression close-ups: HAPPY, SAD, SURPRISED, ANGRY, CURIOUS, LAUGHING. Keep her exact design from the reference: blue bob hair, red/orange skin, yellow spacesuit/jumpsuit, blue boots/shoes. Outlines only at joints and where different colors meet, no heavy interior outlines within same-color areas. Flat 2D illustration style, tricolor blue yellow and red/orange palette, white background. Label each pose and expression. Title: "Character Turnaround: Mila".
第 5 步
製作一個包含連環漫畫所需表情的網格,因為卡通的笑點通常落在臉部表情上,而表情表能讓您要求相同的臉部搭配新的情緒。

Create a professional character expression sheet for the gaunt old tailor man in Image 1, using his exact face, hair, and features. Show 6 different emotions in a 3x2 grid, each a head and shoulders bust portrait on a plain warm light gray seamless background. The 6 emotions are: 1) Worried and anxious, 2) Quietly determined, 3) Sad and defeated, 4) Surprised and wide-eyed, 5) Bitter and grumpy, 6) Rare warm smile. Match the exact stylized cartoon painterly style of Image 1: hand-painted textured brushwork, angular exaggerated proportions, large wide expressive eyes with dark circles, swept-back grey hair, muted earthy teal and ochre palette, bold graphic shapes. Same identical face and hair in every panel. Label each panel with the emotion name below it. Bust portraits only, no full body.
第 6 步
將每張草圖作為構圖參考提供給模型,並用簡單的文字描述繪畫效果,這樣它會在保持您選定的構圖不變的情況下添加線條、色彩和光影。

Use the provided base image as the exact composition reference. Composition 100% exactly match the provided base image. Camera position 100% unchanged. Framing 100% unchanged. Perspective 100% unchanged. Scale relationships 100% unchanged. Object placement 100% unchanged. Floor layout 100% unchanged. All floorboard seam lines 100% exactly match the provided base image. All light shapes and all shadow shapes 100% exactly match the provided base image. Convert the entire image into a hand-drawn colored concept sketch. The image reads as a refined storyboard sketch or previsualization sketch made by hand. Keep all objects and all proportions exactly the same, but redraw everything as a sketch with visible hand-drawn linework and visible drawing texture. Use confident pencil and ink linework, visible sketch strokes, visible edge variation, rough construction marks, and hand-drawn contour lines. Add soft colored pencil, gouache, or marker-style color blocking over the drawing. Keep the color palette simple and readable. The wall remains light blue. The floor remains warm off-white wood. The bed remains dark brown wood. The toy ball remains orange-red. The distant toy blocks remain simple colored blocks. Preserve the exact lighting direction from the provided base image. The strong sunlight still enters from above and creates the same large bright floor shapes and the same large shadow shapes. Keep the lighting information clear and readable as painted light and shadow masses inside the sketch. The image should feel like a hand-made color sketch for a film frame, with simplified surfaces, visible drawing decisions, visible paper texture, slightly uneven hand-applied color, and clear separation between line, color, light, and shadow.
第 7 步
使用編輯提示詞來修正錯誤的細節,說明哪些部分保持不變,這樣一個錯誤的櫃檯或手部就不會毀掉你原本喜歡的畫面。

Change the kitchen countertop / front counter so it has a squared off rectangular shape with straight edges and sharp corners, instead of the current rounded curved edge. The counter should read as a clean straight rectangular block running across the front. Keep everything else exactly the same: the flat 2D pastel cartoon style, the blue-haired red-skinned woman in yellow tasting soup, the small blue cat-suit character, the steaming pot, the cabinets, hanging pans, wall chart and lighting all unchanged.
第 8 步
給圖片模型提供確切的文字和位置,然後檢查每個字母並將畫格排成一行,因為文字是漫畫最後一個可能出現明顯錯誤的地方。

metti in basso al centro: Written & Directed By Katrin Ann Orbeta Hand-drawn 2D animation, illustrated storybook, cozy retro-futuristic sci-fi, warm pastel palette, soft sepia linework, vintage children's book, gentle golden light, whimsical, nostalgic, cozy spaceship interior, cinematic parallax, subtle atmospheric animation. Negative Prompt photorealistic, 3D CGI, realistic rendering, glossy surfaces, hyper-detailed textures, anime, manga, thick black outlines, neon colors, high contrast, dark horror mood, dramatic lighting, fast camera movement, excessive motion, shaky camera, realistic modern kitchen, futuristic cyberpunk aesthetic, visual clutter.
Flat 2D animation style, soft semi-visible outlines,在小畫格尺寸下也能清晰呈現。Katrin Ann Orbeta 執導的《Mila & Sasa》
hand-painted painterly cartoon illustration style, gouache texture,為連環畫帶來故事書般的感覺。Simay Ezer Pekcan 執導的《Happy Souls Alive》
more painterly and watercolor,適合線條簡潔、文字較少的溫柔連環畫。Sue Ellen Zhang 執導的《Finishing Touch》
Line-art woodcut illustration style, limited blue color palette,適合嚴肅的連環畫。Jaime Yao 執導的《In Our Time》
大多數每日卡通連環漫畫使用三到四格,足以呈現鋪陳、轉折和笑點。單格適合一個視覺笑話,而較長的頁面適合有多個場景的故事。
在日常使用中它們意思相同:一系列簡短的繪製格子配上文字,通常帶有幽默感。Comic strip 在美國更常見,而 cartoon strip 在英國也被廣泛使用。
可以。圖像模型可以從一個提示詞繪製整條漫畫,或從草稿和參考圖完成每一格,第二種方式能讓你更好地控制構圖和角色。你仍然需要編寫故事、選擇畫面並檢查每個文字。
製作一張包含正面、側面和背面視圖以及一排表情的參考圖,然後將其附加到每個格子的提示詞中。每次用相同的文字描述服裝,當細節出現偏差時編輯單一細節,而不是重新生成整格。
在提示詞中用引號標註確切的文字,說明它們屬於哪一格,並保持每行簡短。檢查結果中的拼寫,然後用編輯提示詞修正錯誤的文字,或在排版應用程式中添加文字。
從寫作開始,因為節奏和台詞決定了一條漫畫是否成功。然後請圖像模型為每個節奏提供簡單的分鏡草圖,調整這些草圖,再讓模型完成它們。即使是幾條粗略的線條也可以作為排版參考。
你可以免費開始使用 Flick,無需信用卡,並使用免費點數透過 Nano Banana Pro 等圖像模型製作或編輯格子。之後為格子添加動畫需要視訊模型,其中許多屬於付費方案。
可以。使用圖片轉影片模型為每個完成的格子製作動畫,鎖定攝影機並指定少數會移動的物件,然後按閱讀順序剪輯片段。這種形式稱為動態漫畫,可以在上面加上音效和配音。
本頁面上的每一幀和提示詞都來自上述影片的公開畫布,並歸功於其電影製作人。在 Flick TV 觀看更多使用 Flick 製作的影片。
撰寫節拍,勾畫格子,然後在一個畫布上完成並為每個格子添加文字。
免費試用,無需信用卡。
讓 AI 解讀本頁:ChatGPTPerplexityClaude