如何用 AI 逐步製作連環漫畫

要用 AI 製作連環漫畫,將故事寫成四個節奏,將每個節奏繪製成一個格子,將草稿排成一行以測試閱讀效果,然後讓圖像模型完成每個草稿並加上文字。

一幅粗糙的墨線畫,顯示一排三個方形格子,每個格子中都有相同的小人物,最後一格有一個對話框

大多數關於如何製作漫畫連環畫的指南都止步於分鏡建議,而大多數 AI 工具則從文字提示詞開始,將構圖交給運氣。Flick 內部影像創作者 Jaime Yao 採用相反的方式:在《正式介紹》這部 5 分 45 秒短片的公開畫布上,896 張生成圖片中有 269 張在提示詞中指定了提供的草圖作為參考。Jaime 製作這些草圖來規劃影片,我們將其中四張排成一列來展示這個方法。本指南分八個步驟引導您完成,每張草圖旁邊都有模型從中生成的結果。

什麼是連環漫畫?

卡通連環漫畫是一個以一排繪製的格子(通常是三或四格)講述的短篇故事,文字以對話框或說明文字呈現,而笑點或轉折出現在最後一格。
卡通連環漫畫的組成部分及各部分的功能
部分定義功能說明
分格一個有框的繪圖承載故事的一個節奏
間隙分格之間的空隙標示時間的跳躍
對話框包圍對話文字的形狀顯示說話者,並按順序閱讀
說明文字旁白文字框提供時間、地點或想法
妙語收尾最後一拍扭轉或落實之前的一切

四格連環漫畫看起來是什麼樣子?

它講述一個從鋪墊到收尾的小事件,就像 Jaime Yao 連續四幅速寫所做的那樣:盒子裡的玩具騎士、男子舉起它、男子繪製它,然後是騎士與自己的肖像並列。

四幅速寫,以條狀排列

這一列和分鏡標題是我們加上的:Jaime 製作這些作為影片的規劃草圖。

模型從各草圖生成的結果

從上方俯視的寫實照片,穿灰色毛衣的雙手捧著打開的紙箱,裡面有一個玩具騎士

第一格,完成

Use the provided composition sketch as the only composition reference.
Use the provided toy reference as the only subject reference.
Generate a photoreal live-action image.
Pure top-down overhead shot.
Composition 100% exactly match the provided composition sketch.
Camera angle 100% exactly match the provided composition sketch.
Framing 100% exactly match the provided composition sketch.

A small knight toy stands inside an open cardboard box.
The knight toy’s helmet shape, armor silhouette, body proportions, metallic material, pink engraved ornamental details, rope, anchor, and overall toy appearance 100% match the provided toy reference.
The subject is clearly a toy figure.
The toy stands upright in the center area of the box.

The box is an open-top apricot cardboard box placed on the ground.
The box has a long rectangular proportion, with width greater than height and height greater than depth.
The material is matte apricot cardboard with clearly visible fiber texture.
The box has a clean open rim, with visible interior space, inner walls, cardboard thickness, and realistic folded corner construction.
The exterior of the box carries a simple printed castle toy motif in a slightly darker apricot-brown tone.
The interior of the box is plain apricot cardboard.

A pair of adult hands and part of the forearms are visible around the box, following the composition sketch.
The visible clothing is a gray knit sweater.
The sweater has a soft wool knit texture and a simple everyday appearance.
The hands, sleeves, and arm placement 100% follow the sketch.

The box is resting on pale gray concrete ground.
The concrete surface is flat and even.
The concrete shows light usage marks, subtle dirt, very faint hairline cracks, clearly visible poured concrete joint lines, and a small number of scattered dry leaves.
The ground texture is clearly readable from the overhead view.

The lighting is outdoor morning light.
Early morning sunlight falls diagonally across the frame from above.
The light has a natural warm tone.
The box, toy, hands, and leaves all cast clear but soft morning shadows.
The shadow direction is consistent and reads as a low-angle morning sun.
The light is bright and natural, with clean outdoor air.
The overall image feels like a real outdoor morning photograph.

The overall image reads as a clean and clear pure overhead shot.
The box remains the main shape in the frame.
The toy is clearly readable inside the box.
Realistic cardboard texture, realistic toy metal texture, realistic sweater texture, realistic concrete texture, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Jaime Yao 執導的《A Proper Introduction》
含義:俯拍真人質感照片,粉紅騎士玩偶立於杏色紙盒中,成人雙手環繞,置於晨光照射的水泥地上。
寫實照片,穿灰色毛衣的男子低頭看著手中的玩具騎士,身後有明亮的窗戶,前景有紙箱

第二格,完成

Use the provided sketch as the only composition reference.
Use the provided man reference as the only face, body, and clothing reference.
Use the provided knight toy reference as the only toy reference.
Use the provided box reference as the only box reference.

Convert the image into photoreal live-action.
Composition 100% exactly match the provided sketch.
Camera position 100% exactly match the provided sketch.
Framing 100% exactly match the provided sketch.

This is a low-angle close shot inside the home office.
The man sits behind the desk, looking down at the little knight toy in his hand.
The man’s face is visible.
The man’s facial structure, age, hairstyle, skin tone, and body proportions 100% match the provided man reference.
The man wears a gray-blue knit sweater, with the material, color, and loose everyday fit matching the provided man reference.

One hand holds the little knight toy.
The back of the little knight toy faces the camera.
The helmet, armor silhouette, drawing tube on the back, metal material, and pink engraved ornamental details of the toy 100% match the provided knight toy reference.
The man looks at the toy.

The lower foreground is an apricot open-top cardboard box.
The box position, visible height, and frame coverage 100% match the provided sketch.
The box is a lidless open-top cardboard box.
Only the outer side wall and upper rim of the box are visible.
The box is heavily out of focus, reading only as a soft apricot cardboard foreground shape.
Do not emphasize box construction details.

On the right side of the frame is the back of a black computer monitor.
The monitor has a silver stand.
The monitor position, size ratio, and blocking relationship 100% match the provided sketch.
The monitor remains slightly out of focus.

A black office chair sits behind the man and behind the desk.
The chair has a wide rounded black backrest.
The backrest material is black fabric or matte black woven material.
The chair has black plastic armrests on both sides.
The dark shape visible near the lower part of the frame is part of the office chair armrest.
The office chair remains slightly out of focus as midground furniture.

The background is a muted olive / gray-green home office wall.
Behind the man is a window with white trim and white muntin bars.
The window occupies the background behind the man.
Outside the window, tree branches and leaves are visible.
The outdoor branches and leaves are heavily out of focus, reading only as soft green and brown light shapes.

The lighting is strong window backlight.
Intense early morning sunlight enters from the window behind the man.
The window area is very bright with obvious soft white bloom.
The window frame edges, head outline, shoulder outline, finger edges, and toy metal edges catch bright backlit rim light.
The little knight toy’s metal edges catch strong warm highlights.
The front of the man’s face and sweater stay in darker indoor shadow.
The room remains mostly dim, with the window as the brightest light source.
Strong light contrast and visible backlight bloom.

Focus on the little knight toy and the fingers holding it.
The toy back, drawing tube, and finger contact area are sharp.
The man’s face is slightly softer.
The foreground box is heavily out of focus.
The computer monitor is slightly out of focus.
The office chair is slightly out of focus.
The outdoor branches and leaves are heavily out of focus.

realistic knit sweater texture, realistic skin texture, realistic toy metal texture, realistic cardboard color blur, realistic monitor material, realistic black fabric office chair texture, strong backlight bloom, subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Jaime Yao 執導的《A Proper Introduction》
含義:男人在逆光的家庭辦公室裡坐在桌後低頭看著手中的小騎士玩具,呈現強烈背光和寫實質感的真人攝影風格。
寫實照片,穿灰色毛衣的男子在窗邊的速寫本上作畫,前景有玩具騎士

第三格,完成

Use the provided sketch as the only composition reference.
Use the provided man reference as the only character and clothing reference.
Use the provided knight toy reference as the only toy reference.

Convert the image into photoreal live action.
Composition 100% exactly match the provided sketch.
Camera position 100% exactly match the provided sketch.
Framing 100% exactly match the provided sketch.

This is a close shot inside a modest American home office.
A man in a gray-blue knit sweater is seated in front of a window.
His facial structure, hairline, skin tone, and sweater texture match the provided man reference.
He holds a sketchbook in one hand and a pencil in the other hand.
He is looking downward at the sketchbook while drawing.
The sketchbook is angled toward the camera.
The visible page stays mostly simple.

A small knight toy appears in the foreground near the lower right area of the frame, positioned against the near edge of the sketchbook.
The toy is shown from the back.
The helmet shape, armor silhouette, pink engraved ornamental pattern, and the drawing tube on the back 100% match the provided knight toy reference.
The toy is clearly visible as a small foreground figure.

Behind the man is a white-framed window with white muntins.
Outside the window, tree branches and leaves are visible.
The branches and leaves are heavily out of focus and read only as soft green and brown bokeh.
The outside view reads only as soft defocused color and light.

Strong early morning sunlight enters from the window behind the man.
The shot uses strong window backlight.
The window area is very bright.
There is obvious soft white bloom around the bright window.
Bright rim light appears along the window frame edges, the man’s head outline, shoulder outline, finger edges, the sketchbook edge, and the metal edges of the knight toy.
The light feels like strong morning sunlight from behind.

The wall color is muted olive / gray-green.
The overall color palette is soft, warm, and natural.
Realistic skin texture, realistic knit sweater texture, realistic paper texture, realistic pencil texture, realistic metal toy texture.
Subtle film grain, slight sensor noise, mild lens softness, very subtle chromatic aberration, natural imperfect real-camera rendering.
Jaime Yao 執導的《A Proper Introduction》
含義:男子在家中辦公室窗前桌旁看著素描本繪圖,前景有騎士玩具,窗外逆光營造柔和寫實氛圍。
從上方俯視的寫實玩具騎士,旁邊是攤開的速寫本,上面有鉛筆素描,在陽光照射的木桌上

第四格,完成

Use the provided sketch as the only composition reference.
Use the provided knight turnaround sheet as the only design reference for the tabletop knight figurine.
Use the provided knight pencil sketch as the only reference for the sketchbook drawing content.

Generate a realistic top-down tabletop scene.
Composition 100% exactly matches the provided sketch.
Camera angle 100% unchanged.
Framing 100% unchanged.
Object placement relationships 100% unchanged.

Show a close top-down view of a warm medium-brown wooden desk.
The entire tabletop is illuminated by morning sunlight.
Morning sunlight falls diagonally across the desk and creates a natural bright sunlit area on the wooden surface.
The sketchbook is placed in the upper area of the frame.
The tabletop knight figurine is placed in the lower-right area of the frame.
The size relationship between the sketchbook and the figurine 100% follows the sketch.
The sketchbook is open flat, with page orientation matching the sketch.
The sketchbook page shows the provided knight pencil sketch, and the drawing appears upside down in the frame.
The drawing remains clearly readable and looks like a refined graphite pencil sketch.

The tabletop knight figurine 100% matches the provided knight turnaround reference.
Show only the parts of the figurine that are actually visible from this top-down view.
Do not proactively add design elements that are not visible from this angle.
The figurine is the main sharp focus subject on the desk.
Focus is on the figurine.
The sketchbook is slightly softer than the figurine but still clearly readable.

Show real wood grain on the desk surface.
The morning sunlight is bright and natural.
The overall lighting feels like a quiet real morning interior.
The image should have a realistic photographic feeling.
Preserve real material detail.
Preserve slight depth of field.
Preserve subtle film grain.
Preserve slight lens softness.
The final result should look like a real photographed top-down desk scene, focused on the knight figurine in the lower-right area and the upside-down sketchbook drawing in the upper area.
Jaime Yao 執導的《A Proper Introduction》
含義:木桌俯視特寫,陽光斜照,騎士模型位於右下方,上方素描本展示騎士鉛筆畫,寫實攝影風格。

這部影片需要真人實拍,所以四格都是寫實照片風格;若要製作連環畫,保持相同的草圖,改為要求手繪完稿風格,如下方步驟所示。

如何用 AI 逐步製作連環漫畫?

八個步驟:撰寫四個節拍、繪製各格草圖或生成草圖、設計各角色、製作臉部表、以手繪風格完稿、修正單一細節、然後為連環畫加上文字。
  1. 第 1 步

    撰寫四個節拍

    在繪製之前,先將想法拆分為鋪陳、發展、轉折和收尾,因為一個條漫只有空間容納一個小事件,而最後一格必須點題。

    • 每個節拍只需要一行描述就足夠,例如上方第 1 格的「一個男人在箱子裡找到玩具騎士」。
    • 每個節拍需要一個讀者能看見的動作,就像這個草圖只需要床上的男人和門邊的女孩,不需要更多。
    • 大聲朗讀這些節拍,然後刪除任何下一格已經說明的節拍。
    Simple line sketch of a man sitting on the edge of a bed while a small girl stands in an open doorway
    Jaime Yao 執導的《A Proper Introduction》
  2. 第 2 步

    為每一格繪製草圖

    將每個節拍繪製成粗略的分鏡,並設定好鏡頭和人物位置,因為草圖能在模型替你決定之前就確定構圖和比例。

    • 粗略就可以了:上方 Jaime 的分鏡只用幾條線就畫出了窗戶、人物和箱子。
    • 現在將草圖排成一列,因為一個用簡單線條就讀不通的條漫,完成後也不會讀得通。
    • 在每一格之間改變距離,就像上方的排列從俯視移動到中景再到特寫。
    • Jaime 在《Ser Loras》幕後中說明了草圖階段,更多草圖分鏡範例可在我們的分鏡模板中找到。
    Line sketch of a small knight standing beside the tall edge of a door
    Jaime Yao 執導的《A Proper Introduction》
  3. 第 3 步

    或生成草圖

    如果你不會畫圖,可以請圖像模型為節拍生成分鏡草圖,因為簡單的線條繪圖比完成的圖片更容易判斷和修改。

    • 這個來自同一畫布的提示詞要求「主要是線條勾勒,加上少量簡單陰影,不要太詳細」。
    • 它先設定鏡頭,「幾乎貼近地板」,然後說明鏡頭應該如何呈現。
    • 最後一行是檢驗分鏡的標準:讀者應該立即理解什麼?
    Storyboard sketch of a tiny knight bracing his feet and pulling open the bottom of a huge door
    由 Jaime Yao 執導的《A Proper Introduction》 · Nano Banana Pro
    Use the provided small knight character reference as the only character reference.
    Generate a simple storyboard sketch.
    Hand-drawn storyboard sketch look, mainly line work with a small amount of simple shading, not too detailed.
    The camera is extremely low, almost touching the floor.
    The shot looks closely toward the lower part of a huge interior door.
    The composition focuses on the bottom of the door, the door edge, the floor, and the narrow door gap.
    The door occupies most of the frame and creates a strong oppressive scale.
    Show only the lower section of the door.
    The tiny knight stands near the bottom edge of the door.
    He grips the edge of the door with both hands and pulls it open with effort.
    His body leans backward clearly, and his feet brace against the floor. The action focus is visible strain.
    The gap is narrow, but it is clearly readable that the door is being pulled open little by little.
    A small area of sky-blue interior wall is visible through the gap.
    The wall on the outer side of the door is olive green.
    The door is an aged light-ivory wooden door.
    A small patch of sunlight falls on the floor and the door edge.
    The core of the image is the strong scale contrast between the huge door and the extremely tiny knight.
    The shot should read immediately as: the tiny knight is struggling at the bottom of the door to pull it open.
    含義:極小騎士在巨大象牙色木門底部用力拉開門縫,手繪分鏡素描風格,強烈尺度對比,低角度構圖。
  4. 第 4 步

    設計每個角色

    為每個角色製作一張包含正面、側面和背面視圖的白色背景角色表,因為您之後完成的每個畫格都會從該角色表中複製角色。

    • 這張角色表來自 Katrin Ann Orbeta 的《Mila & Sasa》,這是一部來自 Flick Residency 的平面 2D 卡通作品,其簡單的形狀適合連環漫畫。
    • 她的提示詞要求「僅在關節處和不同顏色交界處繪製輪廓線」,這樣可以減少需要重複的線條。
    • 更多版面設計可在我們的角色旋轉表集合中找到。
    Model sheet of a blue-haired woman in a yellow suit in four full-body views above six labelled expressions
    Katrin Ann Orbeta 執導的《Mila & Sasa》 · Nano Banana 2
    Create a full character turnaround and expression sheet for Mila based on this reference image. Layout: top row shows 4 full-body poses in a row: FRONT, 3/4 FRONT-RIGHT (body at 45 degrees), SIDE (profile), BACK. Bottom row shows 6 facial expression close-ups: HAPPY, SAD, SURPRISED, ANGRY, CURIOUS, LAUGHING. Keep her exact design from the reference: blue bob hair, red/orange skin, yellow spacesuit/jumpsuit, blue boots/shoes. Outlines only at joints and where different colors meet, no heavy interior outlines within same-color areas. Flat 2D illustration style, tricolor blue yellow and red/orange palette, white background. Label each pose and expression. Title: "Character Turnaround: Mila".
    含義:角色米拉的全身四視圖與六種表情特寫,藍色短髮橘紅皮膚黃色太空衣,平面三色插畫風格,白背景附標籤。
  5. 第 5 步

    製作表情表

    製作一個包含連環漫畫所需表情的網格,因為卡通的笑點通常落在臉部表情上,而表情表能讓您要求相同的臉部搭配新的情緒。

    • Simay Ezer Pekcan 為她在《Happy Souls Alive》中的裁縫師命名了六種情緒,從「擔憂和焦慮」到「罕見的溫暖微笑」。
    • 「每個畫格中相同且一致的臉部和髮型」能保護角色外觀在不同格子之間的一致性。
    Grid of six painted portraits of a gaunt old tailor, each with a different labelled emotion
    由 Simay Ezer Pekcan 執導的《Happy Souls Alive》 · GPT Image 2
    Create a professional character expression sheet for the gaunt old tailor man in Image 1, using his exact face, hair, and features. Show 6 different emotions in a 3x2 grid, each a head and shoulders bust portrait on a plain warm light gray seamless background. The 6 emotions are: 1) Worried and anxious, 2) Quietly determined, 3) Sad and defeated, 4) Surprised and wide-eyed, 5) Bitter and grumpy, 6) Rare warm smile. Match the exact stylized cartoon painterly style of Image 1: hand-painted textured brushwork, angular exaggerated proportions, large wide expressive eyes with dark circles, swept-back grey hair, muted earthy teal and ochre palette, bold graphic shapes. Same identical face and hair in every panel. Label each panel with the emotion name below it. Bust portraits only, no full body.
    含義:消瘦老裁縫師的六格表情設定稿,擔憂堅定悲傷驚訝苦澀微笑,手繪卡通風格,灰色背景半身肖像附標籤。
  6. 第 6 步

    以繪畫風格完成

    將每張草圖作為構圖參考提供給模型,並用簡單的文字描述繪畫效果,這樣它會在保持您選定的構圖不變的情況下添加線條、色彩和光影。

    • 畫格 2 的早期嘗試直接提出這樣的要求:「將草圖轉換為淡色的寫實分鏡概念畫格。」
    • 這個畫格是從基礎影像而非草圖開始的,我們展示它是為了說明效果用詞:「自信的鉛筆和墨水線條」以及「麥克筆風格的色塊。」
    • Jaime 為每個參考賦予一項任務,就像上面的提示詞中使用「唯一的構圖參考」和「唯一的玩具參考」一樣。
    • 在 Flick 中,你可以將草圖和角色設定表新增為參考圖片;GPT Image 2.5 最多可接受 10 張參考圖片。
    Colored marker sketch of a wide floor in sunlight with a tiny figure, a heavy bed frame, an orange ball and toy blocks
    由 Jaime Yao 執導的《A Proper Introduction》 · Nano Banana Pro
    Use the provided base image as the exact composition reference.
    Composition 100% exactly match the provided base image.
    Camera position 100% unchanged.
    Framing 100% unchanged.
    Perspective 100% unchanged.
    Scale relationships 100% unchanged.
    Object placement 100% unchanged.
    Floor layout 100% unchanged.
    All floorboard seam lines 100% exactly match the provided base image.
    All light shapes and all shadow shapes 100% exactly match the provided base image.
    
    Convert the entire image into a hand-drawn colored concept sketch.
    The image reads as a refined storyboard sketch or previsualization sketch made by hand.
    Keep all objects and all proportions exactly the same, but redraw everything as a sketch with visible hand-drawn linework and visible drawing texture.
    
    Use confident pencil and ink linework, visible sketch strokes, visible edge variation, rough construction marks, and hand-drawn contour lines.
    Add soft colored pencil, gouache, or marker-style color blocking over the drawing.
    Keep the color palette simple and readable.
    The wall remains light blue.
    The floor remains warm off-white wood.
    The bed remains dark brown wood.
    The toy ball remains orange-red.
    The distant toy blocks remain simple colored blocks.
    
    Preserve the exact lighting direction from the provided base image.
    The strong sunlight still enters from above and creates the same large bright floor shapes and the same large shadow shapes.
    Keep the lighting information clear and readable as painted light and shadow masses inside the sketch.
    
    The image should feel like a hand-made color sketch for a film frame, with simplified surfaces, visible drawing decisions, visible paper texture, slightly uneven hand-applied color, and clear separation between line, color, light, and shadow.
    含義:將提供的基礎影像完全轉換為手繪彩色概念草圖,保留構圖光影與物件位置,可見鉛筆線條與色塊質感。
  7. 第 7 步

    修正單一細節

    使用編輯提示詞來修正錯誤的細節,說明哪些部分保持不變,這樣一個錯誤的櫃檯或手部就不會毀掉你原本喜歡的畫面。

    • Mila & Sasa 畫布上 408 張提示詞生成的圖片中,有 33 張說明其他所有內容都保持原樣。
    • 先說明要改變的內容,然後列出不能移動的元素,就像這個提示詞對角色、鍋子和櫥櫃所做的那樣。
    A blue-haired cook in yellow tastes soup at a straight grey counter while a small blue alien watches
    Katrin Ann Orbeta 執導的《Mila & Sasa》 · Nano Banana 2
    Change the kitchen countertop / front counter so it has a squared off rectangular shape with straight edges and sharp corners, instead of the current rounded curved edge. The counter should read as a clean straight rectangular block running across the front. Keep everything else exactly the same: the flat 2D pastel cartoon style, the blue-haired red-skinned woman in yellow tasting soup, the small blue cat-suit character, the steaming pot, the cabinets, hanging pans, wall chart and lighting all unchanged.
    含義:廚房檯面從圓弧邊改為方正直角矩形,其他保持不變包括藍髮紅膚女子品嚐湯和藍貓角色。
  8. 第 8 步

    為漫畫加上文字

    給圖片模型提供確切的文字和位置,然後檢查每個字母並將畫格排成一行,因為文字是漫畫最後一個可能出現明顯錯誤的地方。

    • Katrin 的提示詞以「metti in basso al centro」開頭,義大利文意思是「放在底部中央」,然後逐字給出署名文字。
    • 在我們對兩個圖片模型的比較中,兩者都在六格漫畫頁面上正確拼寫了全部三個引用的對話框。
    • 將完成的畫格排列在畫布上,然後請圖片模型設定行列、間距和對話框,如 AI 漫畫生成器所述,或使用排版應用程式進行精確控制。
    Cartoon title card reading Mila and Sasa over a spaceship cockpit, with a director's credit lettered at the bottom
    Katrin Ann Orbeta 執導的《Mila & Sasa》 · Nano Banana 2
    metti in basso al centro: 
    Written & Directed By 
    Katrin Ann Orbeta
    
    
    Hand-drawn 2D animation, illustrated storybook, cozy retro-futuristic sci-fi, warm pastel palette, soft sepia linework, vintage children's book, gentle golden light, whimsical, nostalgic, cozy spaceship interior, cinematic parallax, subtle atmospheric animation. Negative Prompt photorealistic, 3D CGI, realistic rendering, glossy surfaces, hyper-detailed textures, anime, manga, thick black outlines, neon colors, high contrast, dark horror mood, dramatic lighting, fast camera movement, excessive motion, shaky camera, realistic modern kitchen, futuristic cyberpunk aesthetic, visual clutter.
    含義:畫面下方中央加入編劇導演字卡,手繪復古未來科幻風格,溫暖粉彩色調,溫馨太空船內景。

哪種繪畫風格適合連環漫畫?

任何你能用幾個詞描述並在每個提示詞中重複的風格都可以,所以在第一格之前就選好一種;這四種來自真實影片,使用的是創作者的原話。
一位藍髮廚師在太空船爐灶旁品嚐湯,旁邊有一隻小藍色外星人,採用柔和的平塗色彩

平塗粉彩

Katrin Ann Orbeta 的用詞是 Flat 2D animation style, soft semi-visible outlines,在小畫格尺寸下也能清晰呈現。

Katrin Ann Orbeta 執導的《Mila & Sasa》

一群眉毛濃密、留著鬍子的城鎮居民以繪畫風格緊密地站在中世紀廣場上

水粉畫風格

Simay Ezer Pekcan 的文字是 hand-painted painterly cartoon illustration style, gouache texture,為連環畫帶來故事書般的感覺。

Simay Ezer Pekcan 執導的《Happy Souls Alive》

一幅水彩肖像畫,描繪一位黑髮盤起、臉頰紅潤的年輕女子,背景是淡淡的水彩暈染

柔和水彩

Sue Ellen Zhang 為《Finishing Touch》所用的文字是 more painterly and watercolor,適合線條簡潔、文字較少的溫柔連環畫。

Sue Ellen Zhang 執導的《Finishing Touch》

藍色墨水插畫,描繪破牆中的開放門口,以濃重的木刻線條繪製

藍色木刻

Jaime Yao 為《In Our Time》所用的提示詞指定了 Line-art woodcut illustration style, limited blue color palette,適合嚴肅的連環畫。

Jaime Yao 執導的《In Our Time》

如何保持連環漫畫的一致性?

一張固定畫面的草圖和固定其他所有元素的參考圖,各司其職,這就是《A Proper Introduction》畫布上逐個鏡頭編寫提示詞的方式。
  1. 1. 先畫草圖再寫提示詞

    Decide each frame on paper first, as 269 of the 896 prompted images on the canvas name a provided sketch, so the model never has to choose your framing.
  2. 2. 每個參考圖只負責一項任務

    Tell the model what each image is for, as 281 prompts on the canvas call one image "the only composition reference," so a sketch's rough figure does not replace your character.
  3. 3. 用數字鎖定

    Say how much must match, as 765 of the 896 prompts use "100%" in lines such as "Camera position 100% unchanged," rather than asking for something similar.
  4. 4. 要求繪製風格的完成效果

    Name the finish you want in the prompt, as "This is not a final photoreal render" does in an earlier pass at panel 2, because the same sketch can end up as a drawing or a photo.
  5. 5. 每格一個節拍

    Give each panel one action and at most one spoken line, so readers always know where to look and the words fit without crowding the drawing.
  6. 6. 把轉折留到最後

    Keep the surprise for the last panel, as the row above saves the toy knight standing beside its own portrait until the man has finished drawing it.

關於製作連環漫畫的問題

卡通連環漫畫應該有多少格?

大多數每日卡通連環漫畫使用三到四格,足以呈現鋪陳、轉折和笑點。單格適合一個視覺笑話,而較長的頁面適合有多個場景的故事。

卡通連環漫畫和漫畫連載有什麼區別?

在日常使用中它們意思相同:一系列簡短的繪製格子配上文字,通常帶有幽默感。Comic strip 在美國更常見,而 cartoon strip 在英國也被廣泛使用。

AI 能製作卡通連環漫畫嗎?

可以。圖像模型可以從一個提示詞繪製整條漫畫,或從草稿和參考圖完成每一格,第二種方式能讓你更好地控制構圖和角色。你仍然需要編寫故事、選擇畫面並檢查每個文字。

如何在每一格中保持相同的角色?

製作一張包含正面、側面和背面視圖以及一排表情的參考圖,然後將其附加到每個格子的提示詞中。每次用相同的文字描述服裝,當細節出現偏差時編輯單一細節,而不是重新生成整格。

如何在 AI 卡通中添加對話框?

在提示詞中用引號標註確切的文字,說明它們屬於哪一格,並保持每行簡短。檢查結果中的拼寫,然後用編輯提示詞修正錯誤的文字,或在排版應用程式中添加文字。

如果不會畫畫,如何製作漫畫連載?

從寫作開始,因為節奏和台詞決定了一條漫畫是否成功。然後請圖像模型為每個節奏提供簡單的分鏡草圖,調整這些草圖,再讓模型完成它們。即使是幾條粗略的線條也可以作為排版參考。

我可以免費製作卡通連環漫畫嗎?

你可以免費開始使用 Flick,無需信用卡,並使用免費點數透過 Nano Banana Pro 等圖像模型製作或編輯格子。之後為格子添加動畫需要視訊模型,其中許多屬於付費方案。

卡通連環漫畫能否轉換成動畫?

可以。使用圖片轉影片模型為每個完成的格子製作動畫,鎖定攝影機並指定少數會移動的物件,然後按閱讀順序剪輯片段。這種形式稱為動態漫畫,可以在上面加上音效和配音。

更多關於 Flick 中的漫畫和卡通

本指南中的影片

本頁面上的每一幀和提示詞都來自上述影片的公開畫布,並歸功於其電影製作人。在 Flick TV 觀看更多使用 Flick 製作的影片。

製作你自己的卡通連環漫畫

撰寫節拍,勾畫格子,然後在一個畫布上完成並為每個格子添加文字。

在 Flick 中製作您的連環漫畫

免費試用,無需信用卡。

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