AI Animal Video Maker: Cast Animals in Any Scene

SEEDANCE 2.0 — 8 seconds — 1 continuous shot

REFERENCE USE
- Use @Image1 as the exact starting frame, composition, subject reference, and environmental mood.
- Preserve the three black crows exactly perched on the wooden electric pole crossarm.
- Preserve the rural background, warm light, and shallow atmospheric depth.

DURATION
8 seconds

STYLE
Photorealistic cinematic live-action.
Naturalistic rural ambiance.
Slow, poetic, observational.
Quiet tension and stillness.
No stylization.

SCENE OVERVIEW
An atmospheric insert shot in the open countryside. Three black crows are perched on a weathered wooden electric pole crossarm. They behave like real birds: alert, subtle, restless in small natural ways, but not dramatic. The shot should feel calm, slow, and poetic, with a slight underlying unease. It is an ambient pause in the rhythm of the film.

CAMERA
One uninterrupted continuous shot.
Camera is locked off.
A very subtle slow push-in is allowed, almost imperceptible.
No pan, no tilt, no reframing, no cuts.
The overall feeling should be still and observational.

ACTION
The three crows remain perched on the pole throughout the shot.
They move naturally and minimally:
- small head turns
- tiny posture adjustments
- subtle feather movement
- brief alert glances
One of the crows may make a small hop or reposition itself slightly along the pole.
Their behavior should feel swift but natural, as real crows do when adjusting themselves.
Do not make them flap away or do anything theatrical.

TIMELINE
0.0–2.5s:
Hold the composition in quiet stillness.
The crows remain perched, making only subtle head and body adjustments.

2.5–5.5s:
One crow makes a small natural hop or slight repositioning on the pole.
The others continue small realistic movements: brief head turns, tiny shifts of balance.

5.5–8.0s:
Return to near-stillness.
The crows remain perched and watchful.
End on a quiet, natural tableau with the faint sense of suspended tension.

AUDIO
No music.
No dialogue.
No crow calls, no cawing, no tweeting.
Only soft natural rural ambience if any: very light wind, distant open-field atmosphere.
Keep the shot quiet.

VISUAL TONE
Warm natural daylight.
Subtle poetic realism.
A calm image with faint ominous undertones.
The shot should feel like a contemplative pause before the story continues.

NEGATIVE PROMPT
No music, no extra birds entering, no flying away, no exaggerated movement, no cartoon behavior, no loud bird sounds, no cawing, no camera shake, no fast motion, no dramatic action.

A continuous 15-second night sequence at the rail yard. [00:00] Camera slowly orbits around the four punks crouched in the weeds by the fence; in the background a security truck drives past, its spotlight sweeping; a train horn blasts in the distance, breath visible in the cold air. [00:05] Camera pushes in close on Patches (the woman in the leather jacket) as she nods once decisively to the other two. [00:08] Cut to a wide dolly shot as the three of them rise and climb through a hole in the chain-link fence. [00:11] Camera tracks alongside the three of them and their dog as they run, crouched low, through the dark train yard past parked freight cars. Handheld cinematic energy, cold blue moonlight, film grain, tense and kinetic.

Style: hand-drawn 2D animation, richly painted cel-shaded character over a highly detailed painted background, confident linework with painterly edge variation — not vector-clean, not stiff — dramatic directional lighting with strong contrast, dense layered background depth, textured but controlled brushwork, animated on twos at 12 frames per second, every single frame independently hand-redrawn with visible line jitter and boil, choppy stepped motion cadence, no 3D render, no puppet morphing, no CGI smoothness, no motion blur, no lens or depth-of-field, no photoreal rendering.

@Image1 as character reference — DÚRÓ, exact 1-to-1 face, cornrows with golden beads fixed to scalp, white cotton dress, golden fish pendant. @Image7 as character reference — COELHO, small brown rabbit with a yellow ribbon bow at its neck, exact 1-to-1 fur color and bow. @Image6 as background environment — CASA, wooden house exterior.

Off-center framing throughout. Nothing holds fully still — soft blinks on twos, chest breathing, fur and hair drifting.

Shot 1 — WIDE, off-center. Dúró lunges forward and tumbles playfully onto the grass, catching the rabbit mid-air and rolling with it, wrapping both arms around it in a joyful hug as she comes to rest on her side. Dust and loose grass kick up around the fall. CASA visible in the soft painted background. Wide open laughing smile.

HARD CUT to Shot 2 — LOW ANGLE, off-center, strong golden backlight. Camera positioned low at ground level in front of Dúró, at the height where she holds the rabbit — this is a low camera angle looking up at her, not the rabbit's own vision. Dúró's two arms and hands are clearly visible in the lower frame, cradling the rabbit against her chest. Her face is visible above her arms, looking down at the rabbit with a soft content expression. Morning sun directly behind her creates a strong golden rim light around her cornrows and loose hair strands, dust motes drifting through the lit air.

HARD CUT to Shot 3 — MEDIUM, off-center. The rabbit wriggles free of her arms and hops a short distance away, turning back to look at her. Dúró sits up fast, half-surprised half-delighted, a spontaneous laugh breaking across her face, one hand still extended where the rabbit had been. The yellow ribbon clearly visible as it hops.

CONSTRAINTS: three shots, two hard cuts, not one continuous take; DÚRÓ matches @Image1 exactly; COELHO matches @Image7 exactly including the yellow ribbon; CASA visible in Shot 1; Shot 2 shows Dúró's arms and hands visibly holding the rabbit, low camera angle looking up at her, not an animal's-eye view; off-center framing only, no centered symmetry; no modern elements, no plastic, no printed logos; avoid jitter, avoid bent limbs, avoid identity drift, avoid temporal flicker, avoid chaotic composition; no lens, bokeh or depth-of-field vocabulary except the specified backlight glow in Shot 2; no text, no watermark; No music. Only SFX (soft thud of the fall, grass rustling, rabbit's small squirm, Dúró's laughter, birdsong).
duration: 15s (three shots, force explicit duration, do not leave automatic)

camera locked. wes anderson style film analog grain aesthetic. bunnies eating brunch, enjoying the morning