Screenplay Template: Real Scripts From Short Films

A screenplay template is a page laid out for the six kinds of line in a script, so you write the words and the format does the rest.

An ink drawing of a bound screenplay held by two brass fasteners, with a chef's hat sitting on top, on a terracotta ground

Most free screenplay templates are a page of placeholders, so you learn where the margins go but not what a good scene heading, action line or parenthetical actually says. We took the real script of SLOP, a 2:32 short film written and made by Simon Meyer of Promptr Studios, which is the starter script that the Story tab of every new Flick project opens with. This page gives you a blank screenplay template to copy, SLOP's real lines for each of the six elements, the full script as a PDF, and the way to start from the same template in Flick.

What does a blank screenplay template look like?

A blank screenplay template is a scene heading, an action line, a character name with a parenthetical and dialogue under it, and a transition, each in its place and waiting for your words.
INT. LOCATION - DAY

What we see and hear, in the present tense. Introduce a CHARACTER (30s, one telling detail) in capitals the first time they appear.

CHARACTER
(how the line is said)
What the character says.

SECOND CHARACTER
The reply.

CUT TO:

EXT. NEXT LOCATION - NIGHT

The next scene's action.
  • Save the template as a .fountain or .txt file and upload it into a script box in Flick's Story view, which lays the lines out as a screenplay page.
  • In a word processor, set every line in 12 point Courier, the screenplay standard that makes one page run about a minute on screen.
  • Keep scene headings, character names over dialogue and transitions in capitals, because readers scan a script page by those capitals.

Title page

A title page carries the title in the middle with "Written by" and the writer's name under it, and the contact details and draft date at the bottom, as SLOP's PDF does.

TITLE

Written by
Your Name

Your company
Your email
Draft, Month Year

What goes in each part of a screenplay template?

Six kinds of line: the scene heading, action, character, dialogue, parenthetical and transition, and SLOP's 5 pages of script use every one of them.

Scene heading

Open each scene with INT. or EXT., the place and the time, and start a new heading whenever either changes, as SLOP does when the chef carries his plate out of the kitchen.

INT. RESTAURANT - DINING ROOM - CONTINUOUS
A small, warm room. Terracotta. Candles. Five tables.
  • CONTINUOUS in place of a time of day means the scene picks up the moment the last one ends, with no time passing in between.

Action

Write action in the present tense as short sentences a camera can film, the way SLOP turns a critic's verdict into a dropped plate, a sound and a slow-motion spill.

He picks up the plate. Ernest's eyes widen. Blaustein drops it. The plate hits the floor and shatters. The ossobuco, seven hours, every adjustment, every taste, every decision, on the tiles. Sauce spreading like a wound. Slow motion.

Character

Put a character's name in capitals with an age and a detail or two the first time they appear, then in capitals above every line they speak, so a reader can cast them from one line.

BLAUSTEIN (60s, impeccable, fountain pen) sits at table four. He has the energy of a man who hasn't enjoyed something since 2007.
BLAUSTEIN
Where did you train?
ERNEST
Lyon. Then Tokyo. Then here.

Dialogue

Keep each speech short enough to answer back, so the scene moves like an argument, as SLOP's critic and chef trade one-line questions and answers about a stove and a pot.

BLAUSTEIN
But you used a stove.
ERNEST
...Yes.
BLAUSTEIN
And a pot.
ERNEST
I did use a pot, yes.

Parenthetical

Add a parenthetical under the name where a line would be misread without it, in a few words on how it is said or what the speaker does, as with the one word that gives SLOP its title.

BLAUSTEIN
(calm, adjusting his cuffs)
Slop.

Transition

Save a transition such as CUT TO: for a cut that means something, as SLOP's script closes on CUT TO BLACK after the chef's smile, and let every other change of scene be a new heading.

Ernest looks at her and smiles. Zoom out.
CUT TO BLACK.

What does a filled-in screenplay template look like?

Like SLOP's opening scene: one heading, action that introduces each character in capitals, and dialogue that tells you who the critic is before he walks in.
INT. A TINY RESTAURANT KITCHEN - ITALY - DAY
A bell. Sharp. Urgent.
MARCO (20s, the waiter, the busboy, the everything) bursts through the kitchen door.
MARCO
(whispering, but badly)
Chef. He's here. Blaustein.
ERNEST (50s, aproned, quiet) doesn't look up. He's plating.
ERNEST
Blaustein.
MARCO
From "The Plate". The biggest food magazine in the country? He destroyed Luciano's last month. Called it "cafeteria food with a God complex." Luciano closed two weeks later.
Ernest's hands stop. Just for a moment.
ERNEST
What did he order?
MARCO
The ossobuco.
Ernest nods.
ERNEST
I'll bring it myself.
  • The one short scene sets up the whole film: who the critic is, what he did to another restaurant, and the dish he is about to judge.
  • Marco's long speech carries the exposition, and Ernest answers in one to four words, which tells you more about him than any description.
More detail: where these lines come from

Every screenplay line on this page is copied from the starter script in Flick, which is Simon Meyer's script with small edits to punctuation and grammar: his dashes became hyphens or commas, and the girl's name over her lines reads GIRL rather than Girl (9 Years). The transition, CUT TO BLACK, is copied from the last page of his PDF, where it runs into the word END; the starter in Flick folds it into the last action line instead.

Where can you download the full SLOP screenplay?

Simon Meyer's script is a free PDF of 6 pages, a title page and 5 of script, dated February 2026, and the finished film is on Flick to watch beside it.
  • Download the SLOP screenplay as a PDF, the same file that the Script to Film card on Flick's home attaches when you start a project from it.
  • The script holds 3 scenes: the kitchen, a wordless cooking montage in the style of Wes Anderson, and the dining room where the critic calls the chef's ossobuco slop.
  • Watch SLOP on Flick to see 5 pages of script play out as a 2:32 film.
  • The starter in Flick leaves out the montage to stay short, so it holds 2 scenes, 4 characters, 35 speeches and 10 parentheticals.

How do you start a screenplay from this template in Flick?

Start a project and open its Story tab, where the document opens on this template: four headings for your brief, narrative, creative direction and script, with SLOP's scenes in the script box.
  1. 1Open the Story tab

    Start a new project on flick.art and open the Story tab, where SLOP's two scenes are already set out as a screenplay page under the heading Script.

  2. 2Write the brief first

    Replace the line under Brief, Narrative and Creative direction with what your film is, what happens in order and how it should look, so the chat has your story to write from.

  3. 3Replace the starter

    Type over SLOP's lines yourself, or ask the chat for your script, and it cuts the example scenes in the same edit that writes yours, so nothing of SLOP is left behind.

  4. 4Upload or download

    Use the script box's buttons to upload a .fountain, .txt, .fdx, .pdf or .docx script into it, or to download your own script as PDF or Word.

  • The headings and the lines under them come in the language you use Flick in, while SLOP's script stays in English, since the film it links to is in English.

Questions about screenplay templates

What is a screenplay template?

A screenplay template is a document already laid out in screenplay format, with a scene heading, action, character names, dialogue, parentheticals and transitions in their places. You replace the placeholder words with your own and the page keeps the format.

What are the main elements of a screenplay?

A screenplay is built from six kinds of line: the scene heading (INT. or EXT., place and time), action in the present tense, the character name in capitals, dialogue, a parenthetical on how a line is said, and transitions such as CUT TO. Every scene starts with a heading.

What font is a screenplay written in?

Screenplays are set in 12 point Courier, a typewriter face in which every letter takes the same width. That fixed width is what makes one page of a standard screenplay run about one minute on screen.

How many pages is a short film screenplay?

A short film screenplay runs about one page per minute of screen time, so a short of 5 minutes is about 5 pages. SLOP, a short film made in Flick, turned 5 pages of script into a 2:32 film, so treat the rule as a rough guide rather than a timer.

Do you need screenwriting software to use a screenplay template?

A screenplay template works in any text editor, because the format comes from capitals, blank lines and indents. Software such as Flick's Story view sets the indents for you and can read a plain text script saved as .fountain or .txt.

Can you start a screenplay from a template in Flick?

Every new project in Flick opens its Story tab on a screenplay template: headings for the brief, narrative and creative direction, then the real script of the short film SLOP. You type over it, or ask the chat to write your script in its place.

More on writing and making films in Flick

Fill in the template, then film it

Write over SLOP in Flick's Story view, then build the characters and shots of your own script on the canvas beside it.

Open the screenplay template in Flick

Try for free, no credit card required.

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