角色设计灵感:真实角色和提示词

16个角色设计灵感,来自在Flick中制作的真实AI影片,每个都按照创作者的设计方式展示,附有生成它的完整提示词。

一幅墨水画,画的是打开的速写本,一页上画着男孩的头像,旁边放着一支铅笔,背景是珊瑚色

大多数角色设计创意列表只停留在文字描述,因此你永远看不到这个创意在绘制出来后是否仍然有效。这16个角色设计创意是来自Flick中10部影片的真实角色,其中8部来自2026年夏季Flick Residency,2部来自Flick团队,从有翼的死神到小小的外星狐狸。每个角色都展示了其创作者制作的设计、原封不动的提示词以及让角色一眼就能辨认的那个细节。它们按类型分组,展示了这16个提示词的共同点,以及如何在示例之后设计你自己的角色。

怪物和精灵角色设计灵感

怪物或精灵之所以有效,是因为它有一个你可以说出名字的人类或物质细节,比如死神兜帽下的年轻面孔或生物的黑曜石刀刃,这样它就能被读作一个角色而不是一个影子。
死神角色板:一个苍白的带兜帽的男人,有黑色翅膀,照片和手写笔记钉在深色墙上

死神是一个英俊的年轻男子,有黑色翅膀

一张脸、一个年龄和一种性格将死神从黑暗中的一个形状变成了主角可以争论的对象,而提示词读起来就像一份选角笔记。

# Character: Death

## Appearance
Tall at 6'3, lean and commanding. He wears all black — loose dark clothes beneath a long black cloak with a deep hood that obscures his face. When his face is revealed, he appears as a strikingly handsome man in his mid-twenties with pale skin, tousled short black hair, and piercing eyes that glow an icy blue — beautiful, but deeply unsettling. Massive black feathery wings extend from his back, dark and immense. A flock of crows always heralds his arrival before he is ever seen.

## Personality
Cold, ancient, and quiet. He does not hate — he simply is. He carries an air of inevitability. But something about Vivi gives him pause.

## Role in the Story
Death comes for Vivi after the accident. But her bubbly personality even on death's doorstep makes him curious. He is not sure what to do with her.
M.E. Owens 执导的《One More Day》
含义:一位身穿黑袍有巨大黑翼的高挑死神角色设计,面容英俊眼睛冰蓝色有乌鸦伴随
三视图设定:尖刺黑暗生物手持黑色玻璃刀刃,正面、背面和面部特写,黑色背景

半金属半血肉的生物

通过为其命名材质——陨石外壳、剥落的银箔和未经打磨的黑曜石刀刃——赋予了这个生物一段可以从皮肤上读出的历史。

Extract the monster design from this image and recreate it as a professional character reference sheet with three panels from left to right: full body front view, full body back view, and face close-up. Pure black background. Even neutral studio lighting.

CHARACTER DESIGN: Maintain all the existing design details — the organic-metal hybrid body, the crown-like spike head structure, the mesh metallic texture, the organic tissue wrapping, the dark meteorite surface material, the silver foil skin patches on chest with cracked peeling edges revealing organic flesh beneath.

WEAPON: The creature holds a slender primitive blade — long, thin, asymmetric raw blade with obsidian texture — deep glassy black, sharp edges with natural conchoidal fracture patterns like flint-knapped obsidian. No handle whatsoever. The creature's hand grips directly on the raw blade. The blade is elegant and primitive, not mechanical.

LAYOUT: Clean three-panel reference sheet. Each panel shows the full character clearly. Front view shows the face and weapon clearly. Back view shows the back silhouette and spine detail. Face close-up fills the panel with the head and facial details.

Hyper-realism, extreme detail, black background, professional character concept art sheet.
Alan Xiao 执导的《Tusk Hunters》
含义:怪物角色设定三视图含正面背面和脸部特写,手持黑曜石刀刃,有机金属混合材质,黑色背景

动物角色设计灵感

当动物的斑纹和表情被详细描述下来时,它就成为了一个角色,这样它在不同镜头中始终是同一只动物,并在做任何事之前就已经拥有了个性。
三视图设定:蓬松的奶油色与灰色猫咪,蓝色眼睛,站立正面、站立背面和面部特写

一只拥有羽毛状尾巴的蓬松西伯利亚猫

用文字固定奶油色和灰色重点色虎斑毛发、蓝色眼睛和羽毛状尾巴,使其在每个视图和后续镜头中都保持为同一只猫。

Create a professional character reference sheet of this exact cat (the fluffy Siberian cat with blue eyes, cream and grey tabby-point fur, and a large plumed tail shown in the reference image). Keep the same facial features, fur pattern, coloring, and proportions consistent across all panels. Composition from left to right: full-body front view (standing, facing camera), full-body rear/back view (standing, facing away), and a close-up portrait of the face. Plain seamless pure white background, even studio lighting, cinematic style, sharp detail, orthographic framing, full body in frame for the first two panels.
Alan Xiao 执导的《Tusk Hunters》
含义:一只西伯利亚猫的角色设定图,蓝眼奶油灰色斑纹毛发,展示正面背面和脸部特写,白色背景
三视图设定:黑白哈士奇从正面坐着、从背面站立以及面部特写

一只憨憨的淡蓝眼睛哈士奇

提示词将表情融入设计中,在每个视图中都呈现出可爱且略显呆萌的样子,让这只狗一眼就展现出个性。

Using THIS real dog as the identity reference (same husky/laika breed, identical black-and-white fur markings, face shape, ears, body proportions, light-blue eyes), create a professional character design reference sheet on a clean plain WHITE seamless background, cinematic photoreal lighting. Compose THREE views left to right in one image: (1) LEFT — full-body FRONT view of the dog SITTING, facing camera; (2) MIDDLE — full-body BACK view of the dog; (3) RIGHT — a head close-up portrait. In every view the dog has a cute, endearing, slightly goofy/derpy innocent expression. Keep the eyes their natural light-blue color. Completely REMOVE the collar — bare neck, no collar in any view. Keep the SAME dog with identical markings and proportions across all three views. Fully photorealistic true-to-life fur texture, high detail, film grain, 21:9.
Alan Xiao 执导的《Tusk Hunters》
含义:一只哈士奇犬的三视图角色设定,黑白毛色蓝眼睛,包含正面坐姿背面和头部特写,白色背景无项圈

历史和时代角色设计创意

历史人物角色只有在提示词使用服装、发型和面料的真实名称时才有效,因为像长袍或蕾丝领这样的具名细节是具体的,而"老式的"则不然。
三视图:剃光头留单根前额发绺的哥萨克士兵,身穿深红色外套,手持弯刀

留有前额发绺和弯刀的哥萨克士兵

真实的历史术语——oseledets(剃光头上留的单根发绺)和深红色羊毛长袍——让历史士兵变得具体而非笼统。

Keep the same Cossack soldier three-view character sheet (front, side, back of the SAME man), same face, oseledets forelock, drooping mustache, proportions, plain seamless white background, cinematic photoreal documentary lighting. Make these changes: (1) Completely REMOVE the recurve bow, the arrows, and the quiver from every view — no bow and no arrows anywhere. (2) Change the kaftan/coat color from dark teal to a deep DARK RED wool. (3) He now holds ONLY a curved sabre in his hand in the front view (and the sabre visible/sheathed appropriately in side and back views); no other weapons. Keep him blood-and-frost stained and battle-worn, tall leather boots, red sash. Consistent identical face and outfit across all three views. High detail, film grain, 21:9.
Alan Xiao 执导的《Tusk Hunters》
含义:哥萨克士兵三视图角色设定,深红色外套手持弯刀,移除弓箭,保持胡须和发型,白色背景写实风格
三视图:红发维多利亚时代女性,身穿象牙色和淡蓝色丝绸全长礼服,配高领蕾丝领

身着象牙色丝绸和蕾丝的维多利亚时代贵族女性

详细描述面料以及剪裁,有光泽的丝绸和有质感的蕾丝,让一个时代人物看起来是真正穿着服饰,而不是穿着戏服。

Full-body three-view character turnaround sheet of the same woman from the provided character reference. Facial structure, hair, and costume 100% match the reference.

Three panels arranged horizontally on a neutral warm grey background: front view, three-quarter side view, and back view. Each panel shows her full body from head to floor.

Costume consistent across all three panels: the same ivory and pale blue silk dress with high lace collar and lace trim visible in the reference, now shown as a full-length Victorian gown with a fitted bodice, slight bustle silhouette, and floor-length skirt with subtle fabric drape and weight. Period-appropriate posture: straight spine, hands loosely at sides.

Soft directional natural window light from slightly above. Realistic skin texture, visible pores, faint freckles. Realistic silk and lace fabric texture with natural drape, material weight, and slight sheen on the silk. Slightly washed-out highlights on the fabric. Subtle film grain, slight chromatic aberration, mild lens softness. A more realistic harder light structure rather than global soft light. Natural imperfect real-camera rendering. Character sheet format.
Jaime Yao 执导的《Voice consistency》
含义:维多利亚时代女性角色三视图设计稿,象牙色蓝色蕾丝长裙,正面侧面背面展示,柔和自然光,真实质感电影风格。
一位身穿栗色羊毛长袍的喜马拉雅女性的四个面板:面部特写、正面、背面和侧面视图

一位佩戴金鼻钉的喜马拉雅女性

一个小小的标志性特征,金鼻钉,被特别强调为重要元素,并出现在特写和侧面中,这样角色在任何取景中都能被识别。

Create a professional character reference sheet of THIS exact woman, Pema (the 28 year old Himalayan woman in the reference image) — keep her identical face, dark hair pulled back with loose strands, warm weathered brown skin, and importantly the small delicate GOLD NOSE PIN in her left nostril, and her maroon handwoven wool garment. Lay out FOUR panels on one image against a plain neutral light-gray seamless studio background with even flat lighting. Panel 1: a tight CLOSE UP of her face, front on, calm neutral expression, showing her exact facial features and the gold nose pin clearly. Panel 2: a full body FRONTAL shot showing the front of the body and clothing but with the head turned away or cropped so the face is NOT visible, standing straight, arms at sides. Panel 3: a full body BACK view showing her back and the back of her head and hair (head visible from behind). Panel 4: a full body side PROFILE view, her face clearly visible in profile with the gold nose pin. Consistent identical character, clothing, proportions and lighting across all four panels. Orthographic, full figure in frame for the body shots. Natural color cinematic film photography look, 16:9.
Raj Rishi More 执导的《Seasons》
含义:28岁喜马拉雅女性Pema角色设计表,栗色羊毛服饰金鼻钉,四格展示面部特写正面背面侧面,灰色背景平面照明电影摄影风格。
一位有着波浪黑发、身穿靛蓝色羊毛长袍和条纹腰带的喜马拉雅男性的四个面板:面部、正面、背面和侧面

一位身穿手工编织靛蓝长袍的喜马拉雅男性

有编织纹理和图案的服装,多彩条纹装饰和编织腰带,在角色开口说话之前就已经说明了他生活的地方。

Create a professional character reference sheet of THIS exact man, Tenzin (the 28 year old Himalayan man in the reference image) — keep his identical face, black wavy hair, short beard, warm weathered brown skin, and his handwoven indigo wool robe with the multicolored striped trim and woven waist sash over a pale shirt. Lay out FOUR panels on one image against a plain neutral light-gray seamless studio background with even flat lighting. Panel 1: a tight CLOSE UP of his face, front on, calm neutral expression, showing his exact facial features clearly. Panel 2: a full body FRONTAL shot from behind-neutral so we see the front of the body and clothing but the head is turned away or cropped so the face is NOT visible, standing straight, arms at sides. Panel 3: a full body BACK view showing his back and the back of his head and hair (head visible from behind). Panel 4: a full body side PROFILE view, his face clearly visible in profile. Consistent identical character, clothing, proportions and lighting across all four panels. Orthographic, full figure in frame for the body shots. Natural color cinematic film photography look, 16:9.
Raj Rishi More 执导的《Seasons》
含义:28岁喜马拉雅男性Tenzin角色设计表,靛蓝羊毛长袍彩条装饰,四格展示面部特写正面背面侧面,灰色背景平面照明电影摄影风格。

现代和日常角色设计创意

一个日常角色要生动有效,服装需要说明这个人做什么或他们是谁,比如带手电筒的保安制服或安静面孔上的鲜艳花卉西装。
一位留着灰发、戴着圆形红框眼镜、身穿橙色花卉印花西装和图案领带的年长男性的三个视图

一位身穿橙色花卉西装的年长男性

冷静面孔上的鲜艳服装,在一张图片中就展现了完整的性格,而圆形红框眼镜为视线提供了第二个落点。

Image 1 is elderly man in orange floral suit, main look (likeness, clothing, and identity).

Create a professional character reference turnaround sheet showing this exact character (same face, same round red glasses, same swept-back gray hair, same orange floral print suit with dark patterned tie) in three full-body views: front view, side profile view, and back view, arranged side by side. Neutral A-pose, standing. Plain seamless light-gray background, even studio lighting, orthographic framing, full body in frame for each view. No props, no scene, no other people. Identical facial features, proportions, and clothing across all views.
Zoey Z. 执导的《Pond Marketing video》
含义:橙色花卉西装老年男性戴红色圆眼镜,三视图角色设计表展示正面侧面背面,灰色背景平面摄影棚照明。
一位扎着紧致马尾、身穿大地色长裤、无袖夹克和登山靴的南亚女性的六个视图

一位为沙漠做好准备的野外科学家

展示工作性质的服装,挽起的袖子、无袖夹克、厚重的靴子和手表,让观众在她开口说话之前就能读懂她的工作。

Professional character turnaround reference sheet for Evelyn: a mid-30s South Asian woman, olive skin, sharp jawline, high cheekbones, black hair in a tight ponytail, brown penetrating eyes, slim build around 5'5", wearing fitted earth-tone trousers, tucked shirt with sleeves rolled up, sleeveless light jacket, heavy-duty hiking boots, a watch on her wrist. Create ONE wide image showing six panels side by side: front view, left profile, right profile, back view, three-quarter left view, and three-quarter right view. Same character in every panel, 100% identical face and clothing matching the Desert Portrait reference exactly, neutral A-pose, plain pure white seamless background, even flat lighting, full body in frame, orthographic framing. No scene, no props, no other people.
Karan Archana 执导的《Drop of Water》
含义:30多岁南亚女性Evelyn角色六视图设计表,大地色登山装束马尾辫,正侧背及四分之三视角,白色背景平面照明。
三张面板展示一个满身泥痕、白眼和头戴GoPro头灯的男子,正面、背面和面部特写

一个眼睛已经变白的象牙猎人

保留他日常的装备,一件汗湿的衬衫和一个GoPro头灯,使得白眼显得更加可怕,因为他看起来仍然像曾经的那个人。

This is a three-panel character reference sheet. Keep everything exactly the same — the three-panel layout, white background, the man's facial features, skin tone, dark blue-black sweat-soaked t-shirt, GoPro headband with headlamp, mud and dirt on face, deep dark circles, posture. Only one change: add black tactical boots on his feet in all full-body panels. The boots should be heavy-duty, lace-up, matte black military-style tactical boots, worn and slightly muddy, consistent across panels. Photorealistic cinematic character reference sheet style.
Alan Xiao 执导的《Tusk Hunters》
含义:三视图角色设计表,一名男子穿深蓝湿T恤戴头灯头带脸上带泥,现在加上黑色战术靴,写实电影风格。
三个标注视图展示一个身材魁梧、头发花白的警官,穿着深蓝色制服,佩戴徽章、对讲机和大型手电筒

一个手持手电筒的铁路安保警官

一个由制服、银色徽章、肩部对讲机和重型手电筒构成的追捕者立刻展现出权威感,这正是追逐场景所需要的一切。

Professional character turnaround reference sheet. Show the SAME man (the Bull, railroad security officer) in 3 panels side by side: front view, left profile, right profile. Full body, neutral stance, plain white seamless background, even studio lighting, orthographic framing. Identical face (fifties, broad, thick jaw, short cropped grey hair, deeply weathered), same uniform in every panel: dark navy railroad security jacket with silver badge, shoulder radio clipped to chest, heavy utility belt, holding large metal flashlight. Label each panel: FRONT, LEFT, RIGHT.
Dr. Dreams 执导的《Catch Out》
含义:铁路保安公牛的三视图角色表,五十多岁灰发方脸穿深蓝制服佩戴徽章持手电筒,白背景正侧面视图。

2D和动画角色设计创意

当动画角色的形状和颜色足够少,能够每次都以相同方式绘制时,角色就能成功,然后一个夸张的特征,比如巨大的眼睛或长鼻子,就能完成表演。
扁平2D转面图:一个圆脸红润的小角色,穿着蓝色狐狸连体衣,背着背包和激光手枪

一只穿着蓝色连体衣的迷你外星狐狸

严格的蓝色、黄色和红色配色使卡通角色保持足够简单,从而在2D影片的每个镜头中保持一致。

Keep the same character turnaround layout of Sasa (FRONT, 3/4, SIDE, BACK) but add: a rectangular backpack on his back (visible in side and back views) and a flat laser pistol weapon in his right hand in the FRONT and 3/4 views. The laser pistol is flat, compact and futuristic, in blue and yellow colors matching his palette. The backpack is also blue with yellow accents. Keep all his original design details: round red/orange face, blue fox onesie suit, fox ears on hood, yellow boots, rosy cheeks, black outlines. Flat 2D illustration style, tricolor blue yellow and red/orange palette, white background. Same title "Character Turnaround: Sasa" at top.
Katrin Ann Orbeta 执导的《Mila & Sasa》
含义:角色萨萨四视图设计,蓝色狐狸连体衣红橙脸,现在背上背包手持蓝黄激光枪,扁平二维插画风格。
绘画风格转面图:一个年轻的黑人女孩,梳着串珠辫,穿着白金色连衣裙,正面、四分之三侧面和背面

一个梳着金珠辫子、佩戴鱼形吊坠的女孩

一条承载意义的项链,鱼形代表水之女神奥顺,通过一个小物件将儿童角色与故事的神话联系起来。

Character design sheet of an 8-year-old Black African girl named Dúró, presented as a professional character turnaround with three full-body views: front view, three-quarter view, and back/side view, arranged horizontally on a single clean layout. Painterly digital gouache style with visible brushwork, soft diffused lighting, and organic paper texture, matching a high-fantasy African-inspired concept art aesthetic.

FACIAL FEATURES: dark brown skin with warm undertones, large expressive dark almond-shaped eyes, full lips, rounded soft cheeks, gentle and curious expression with a hint of shyness. African (Nago/Yoruba) features, natural and dignified, not stylized into caricature.

HAIR: neat Nago-style cornrows (tranças nagô) braided close to the scalp in straight lines, ending with small golden beads at the tips. Hair is clean, symmetrical, and frames the face beautifully.

OUTFIT: a simple white cotton dress, modest and childlike, falling just above the knees, with delicate golden trim details along the hem and around the round collar. The dress is loose and comfortable, suitable for a village child. Bare feet.

ACCESSORY: around her neck, a thin golden necklace with a small fish-shaped pendant hanging at the collarbone — the fish is the symbol of Osun, goddess of water. The pendant is small, elegant, and clearly visible.

POSE AND EXPRESSION: the front view shows her standing straight, hands relaxed at her sides, looking at the viewer with soft curiosity. The three-quarter view shows her slightly turned, head tilted, a faint smile. The back view shows the full braids and the back of the dress, with the golden hem visible.

LIGHTING AND COLOR: warm painterly lighting, soft shadows with gentle contrast, earthy color palette (browns, creams, warm golds, terracotta) with the white and gold of the dress as the focal point. Background is a soft neutral warm beige that does not distract from the character.

STYLE: painterly, hand-painted digital gouache feel, visible brush texture, no harsh pixel-perfect rendering, no cel-shading, no 3D render look. Consistent facial features and identical outfit across all three views to maintain character continuity.

NEGATIVE: no text, no watermark, no logo, no signature, no extra characters, no modern objects, no plastic, no shoes, no jewelry other than the necklace, no exaggerated proportions, no anime style.
Walter Mauro 执导的《Duro》
含义:八岁非洲女孩杜罗三视图角色设计,深棕肤色编发配金珠白裙金边项链带鱼坠,温暖手绘水粉画风格。
绘画风格卡通设定图:一个瘦削的老妇人,梳着灰色发髻,穿着栗色外套:正面、侧面、背面和面部

一个古怪的老裁缝,高瘦清癯

夸张的比例、修长纤细的身材和戏剧化的灰色高盘发,将一个村庄工匠变成仅凭一帧画面就令人难忘的主角。

Redraw this exact character reference sheet (same 4 panels: Front, Side, Back, Face; same layout, same painterly cartoon style, same warm gray background, same maroon pinstriped coat and green waistcoat) but make the character UNMISTAKABLY AN ELDERLY WOMAN. Feminize her clearly: soften and round the face and jaw, slimmer refined nose, fuller lips with a touch of muted lipstick, longer thinner arched eyebrows, add soft eyeshadow and defined lashes around the large expressive eyes, add subtle blush on the cheeks. Restyle the hair as a distinctly feminine elderly updo — swept-back silver-grey hair gathered into a soft bun with loose wispy curls framing the face, keeping the dramatic pointed silhouette. Add feminine touches: small pearl drop earrings, a slim brooch at the collar, a fitted waist on the coat giving a softer feminine figure, delicate slender hands. Keep her thin, tall, gaunt and eccentric, and keep the same overall pose, framing, and color palette in every panel. She should read at a glance as an old woman seamstress, not a man.
Simay Ezer Pekcan 执导的《Happy Souls Alive》
含义:将四格参考图中的瘦高裁缝角色重绘为明显的老年女性,保持栗色条纹外套和绿马甲及手绘卡通风格。
身着深色细条纹夹克、有着大而黑眼圈、瘦削老人的绘画风格卡通角色设计图:正面、侧面、背面和面部

一个有着巨大疲惫双眼的憔悴老裁缝

在风格化的影片中,带有浓重黑眼圈的大眼睛承担了表演任务,因此即使角色静止不动,面部也能讲述故事。

Create a professional character reference sheet for the gaunt old tailor man in Image 1. Use his exact face, features, and clothing: tall thin elderly man, long angular face with hollow cheeks, large wide expressive eyes with heavy dark circles, thick dark eyebrows, big ears, prominent nose, swept-back dark grey hair with pointed tufts and a curl at the temple, dressed in a dark maroon pinstriped jacket over a buttoned waistcoat. Show 4 panels in one image: full body front view, full body left side profile, full body back view, and a head and shoulders close-up. All panels in neutral A-pose, plain warm light gray seamless background, flat even lighting. Match the exact stylized cartoon painterly style of Image 1: hand-painted textured brushwork, angular exaggerated proportions, muted earthy teal and ochre palette, bold graphic shapes, expressive character animation look. Same identical character in every panel. Label each panel: Front, Side, Back, Face.
Simay Ezer Pekcan 执导的《Happy Souls Alive》
含义:为瘦削老裁缝男性制作四格角色参考表,包含正面侧面背面和特写,手绘卡通风格,灰色背景。

什么是好的角色设计创意?

一个好的角色设计理念需要有一个清晰的标志性特征、年龄和职业,以及几种明确的材质或颜色,这样角色一眼就能识别,并且可以前后一致地绘制。
本页面上的 16 个角色设计提示词,统计于 2026 年 10 月
我们统计的内容提示词
从创作者已有的图片开始制作13/16
指定纯色背景15/16
要求每个视角中保持相同的面部或服装14/16
在 12 个人类角色中指定年龄9/12
超过 140 个单词8 / 16
  1. 1. 像选角笔记一样描写角色

    给出年龄、体型、服装和性格特征,这样模型会生成一个具体的人物而不是类型化的角色。

    Cold, ancient, and quiet.
    M.E. Owens 执导的《One More Day》
    含义:寒冷、古老且寂静的画面。
  2. 2. 确定一个标志性特征并保护它

    指出必须在每个镜头中保留的唯一细节,并说明它应该出现在哪里。

    importantly the small delicate GOLD NOSE PIN in her left nostril
    Raj Rishi More 执导的《Seasons》
    含义:她左鼻孔有精致的小金鼻钉。
  3. 3. 说明材质

    表面承载着角色的历史,所以要说明皮肤、布料或盔甲是由什么材质制成的。

    the dark meteorite surface material, the silver foil skin patches on chest with cracked peeling edges revealing organic flesh beneath
    Alan Xiao 执导的《Tusk Hunters》
    含义:深色陨石表面材质,胸口银箔皮肤贴片边缘开裂剥落露出下方有机血肉。
  4. 4. 说明角色不是什么

    当重新设计不断偏离时,用简单的话说明你不想要的效果。

    She should read at a glance as an old woman seamstress, not a man.
    Simay Ezer Pekcan 执导的《Happy Souls Alive》
    含义:她一眼看去应是老年女裁缝而非男性。

基于这些创意构建的角色设计提示词模板

填写括号内容并删除不需要的行。

[Name], a [age] [role or job], [build].
Face: [skin], [hair], [eyes], [one expression].
Wearing: [clothes, with their fabric and colour].
Signature: [the one detail that must always show].
Personality: [two or three words].
Style: [photoreal / painterly 2D / flat cartoon], plain [colour] background.
Not: [what the character must not look like].
含义:角色模板包含姓名年龄职业体型面容服装标志性细节性格风格和禁忌外观。

如何用AI设计角色?

用一句话写出创意,像选角笔记一样描述外观,生成设计,逐一修正细节,然后将最终设计整理成一个可以附加到每个镜头的全方位参考表。
  1. 1用一句话写出创意

    说明角色是谁以及是什么让他们与众不同,例如年轻男性形象的死神带有翅膀,以便后续的所有选择都能以此为标准进行检验。

  2. 2描述外观

    在图像节点中使用 GPT Image 2 或 Nano Banana Pro 描写年龄、体型、服装、材质和一个标志性细节,两者都在 Free 套餐中提供。

  3. 3逐一修正

    从你喜欢的设计开始下一个提示词,只改变一个细节,这样角色的其余部分就能保持不变,就像这里 16 个提示词中有 13 个是从图像开始的。

  4. 4制作角色转面表

    将最终设计以正面、侧面和背面视图的形式呈现在纯色背景上,然后将该表格附加到每个镜头,如这些角色转面表所示。

角色设计创意问题

有哪些好的角色设计创意?

好的角色设计创意是将熟悉的角色与一个意想不到的细节配对,例如死神是一个长着黑色翅膀的英俊年轻人,一个眼睛变成白色的象牙猎人,或者一个穿着鲜艳橙色花卉西装的老年男子。

我该如何构思角色设计?

从角色在故事中的作用开始,然后添加年龄、能展现他们身份的服装以及一个标志性细节,例如金色鼻钉或鱼形吊坠。如果你能用一句话描述这个角色,设计就会随之而来。

角色设计提示词应该包含什么?

角色设计提示词应该包括年龄、体型、面部、头发、服装及其材质和颜色、一个标志性细节、风格以及纯色背景。如果模型不断偏离,可以添加角色不应该是什么样子的描述。

AI 能为我设计角色吗?

可以。GPT Image 2 或 Nano Banana Pro 等图像模型可以根据文字描述绘制角色,然后你可以从喜欢的设计开始,每次只改变一个细节来生成新的提示词。

角色设计和角色表有什么区别?

角色设计是角色的外观,通常是单张图像或设计板。角色表或转面表则在纯色背景上展示同一设计的正面、侧面和背面视图,以便在每个镜头中以相同的方式绘制或生成。

如何在 AI 视频中保持角色设计的一致性?

将最终设计转换为带有正面、侧面和背面视图的转面表,然后将该表格附加到每个图像和视频提示词中并在其中命名,这样模型就会复制角色而不是重新创造。

我可以在自己的作品中使用这些角色设计吗?

此页面上的提示词可以免费复制作为起点,但角色本身、角色名称和角色图像属于创作它们的电影制作者,因此请将创意转化为你自己的。

在 Flick 中设计角色是免费的吗?

是的,你可以免费开始:新账户注册时获得 100 积分,加入 Flick Discord 可再获得 200 积分,并且此页面上用于设计的图像模型可在 Free 套餐中运行。

在Flick中创作角色的更多内容

合集中的影片

设计你自己的角色

写下创意,生成设计,逐个细节修改,然后在一个 Flick 画布上将角色带入每个镜头。

在Flick中设计你的角色

免费试用,无需信用卡。

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