舊底片效果來自五個元素的組合:固定在畫面上的顆粒、刮痕和灰塵等損傷、閃爍和畫框晃動、陳舊的色調,以及具名的年代。將這五個元素都寫進提示詞中。
作者 Zoey Z.最後更新
大多數舊底片效果的教學指南是在剪輯軟體中於完成的影片上疊加刮痕圖層,但在 AI 影片上這往往看起來像是貼上去的,因為鏡頭本身是以乾淨而現代的方式生成的。我們搜尋了 Flick 上 66 部團隊和駐村影片背後的 9,960 個提示詞(這些影片有公開的畫布),發現有四部影片在文字中要求陳舊的檔案底片外觀,從 1920 年代拳擊賽到 1940 年代新聞片。本指南將這些創作者所寫的內容轉化為五個元素、六個步驟和一行可貼入提示詞的舊底片文字,並附上註明出處的鏡頭和生成它們的確切提示詞。
old 1920s archive film, black and white with a faded sepia tone, coarse film grain fixed over the entire frame, light dust and scratches, gentle flicker and exposure breathing, occasional gate weave, soft focus, camera locked
每個詞組都取自本頁引用的 Flick 提示詞：固定顆粒疊層來自 Boxing at the Opera 和 La fille dans le parc，刮痕、膠片閘門晃動和曝光起伏來自 The Miracle，而褪色泛黃的色調來自 Bunnies Brunch。這行文字本身則是我們所寫。（Flick 備註）
| 元素 | 視覺效果 | 在 Flick 影片中有效的詞語 | 範例 |
|---|---|---|---|
| 固定顆粒 | 覆蓋整個畫面的粗糙質感，不會隨著動作而模糊 | A static fixed film grain overlay sits on top of the entire frame | 查看實際顆粒效果範例 |
| 損傷 | 乳劑上的刮痕、灰塵和斑點 | coarse grain, scratches | 查看真實的損傷鏡頭 |
| 閃爍與晃動 | 每幀之間亮度脈動，輕微的橫向搖晃 | occasional gate weave and exposure breathing | 查看真實的閃爍鏡頭 |
| 色調 | 棕褐色或銀色黑白，或褪色泛黃的彩色 | 20s old vintage film grain texture and look; faded color film | 查看真實的深褐色調鏡頭 |
| 年代 | 模型可以描繪的十年時期和影像類型 | old 1940s style black and white film for the look like an archive film | 查看真實的新聞影片鏡頭 |
兩部 Flick 影片中的 23 個 Seedance 影片提示詞都以相同顆粒段落的版本結尾，這就是這些影片如何在不同片段之間保持一致的檔案紋理。
analog film grain textureA static fixed film grain overlayan old archived film如果沒有第二句，影片模型往往會將顆粒與主體一起柔化或動畫化，鏡頭就會開始看起來像是套用濾鏡的現代片段。
動作用一行描述，接下來的顆粒段落要求呈現復古類比外觀，一部檔案影片。
camera locked. her eyes look to the right, then to the left, then to the right again. keep the analog film grain texture. A static fixed film grain overlay sits on top of the entire frame, moving like a natural vintage static. The grain is staticy the entire clip. Camera locked, no camera movement. the entire scene should be a vintage analog look, an archived film
片門晃動是膠片通過相機片門時輕微的橫向擺動，曝光呼吸是讀取為閃爍的亮度脈衝。
00:15提示詞將鏡頭稱為 1940 年紀錄片或新聞影片素材,然後列出銀鹽對比、光暈效果、粗顆粒、刮痕、片門晃動和曝光呼吸。
Make a 15second sequence in 2:39 aspect ratio and old 1940s style black and white film for the look like an archive film. The Sentinel and The Father are batling at the top of the tower on the summit. The father pushes to one knee, defeated but defiant, and looks once toward the fully open golden entrance. The Sentinel approaches from behind with deliberate steps, raises the single polearm, and executes one decisive horizontal beheading stroke. Stage the death in a distant wide black-and-white silhouette: unmistakable but not exploitative, no gore close-up and no blood spray. The father’s single head separates once and lands a short distance from the single body; never duplicate head, body, weapon, or limbs. Hold on the still wide image under rain and lightning. No music. Location one immense uninterrupted circular platform; intact continuous outer rim; wet concentric floor rings; one central cylindrical structure; one broad, wide-and-tall rectangular golden-room entrance that remains fully open for the entire 1940 sequence. No chimney, vent, cable, bridge, drawbridge, walkway, railing, extra building, debris field, or duplicate structure. No music in any generation. Use only storm wind, rain, boots, armor, weapon impacts, breaths, body impacts, and period newsreel noise. This is 1940 documentary/newsreel footage: monochrome silver-halide contrast, halation, coarse grain, scratches, occasional gate weave and exposure breathing. The camera can be tripod, handheld, or a rough mechanical crane; never a drone.
Boxing at the Opera 在其剪輯中重複使用年代設定:20s film analog grain texture、20s gilded old analog grain film、20s old vintage film grain texture。
一個將先前畫面命名為場景設定並要求 20s old vintage film grain texture and look 的剪輯。
i want a close up of him getting punched. Spotlight Brightened, Film Grain is the setting for reference. should be 20s old vintage film grain texture and lookBunnies Brunch 在兩個圖像模型上逐字執行相同的提示詞,兩者都呈現出老舊彩色影片中褪色畫面的效果。
提示詞以其自身的簡寫結尾：褪色彩色底片、細緻顆粒、柔焦和不完美的復古質感。
The image has the feel of a faded frame from an old color film: tactile, slightly imperfect, and warmly nostalgic. Texture Visible fine grain and mild softness keep edges from looking digitally sharp. The colors have a gently aged, almost yellowed quality, with a little haze in the bright window and darker, denser shadows around the television. Color and light Mustard-yellow wallpaper and warm cream tones contrast with the cool teal window frame and blue-green cast inside the TV. Daylight from the left feels diffused rather than crisp, giving the room a lived-in glow. Composition The open window and boxy television divide the frame into two strong shapes. The people appear inside the curved TV screen, which adds another layer of softness and makes the scene feel like a memory being watched. Aesthetic Mid-century domestic nostalgia with an archival, analog-film look—more like a found movie still than a polished retro set. For a prompt, the useful shorthand is faded color film, fine grain, soft focus, warm yellow interior, cool teal accents, diffused daylight, and imperfect vintage texture.
相同文字生成了不同房間，但具有相同的老舊、近乎泛黃的色調，因此這種風格在更換模型後依然保留。
The image has the feel of a faded frame from an old color film: tactile, slightly imperfect, and warmly nostalgic. Texture Visible fine grain and mild softness keep edges from looking digitally sharp. The colors have a gently aged, almost yellowed quality, with a little haze in the bright window and darker, denser shadows around the television. Color and light Mustard-yellow wallpaper and warm cream tones contrast with the cool teal window frame and blue-green cast inside the TV. Daylight from the left feels diffused rather than crisp, giving the room a lived-in glow. Composition The open window and boxy television divide the frame into two strong shapes. The people appear inside the curved TV screen, which adds another layer of softness and makes the scene feel like a memory being watched. Aesthetic Mid-century domestic nostalgia with an archival, analog-film look—more like a found movie still than a polished retro set. For a prompt, the useful shorthand is faded color film, fine grain, soft focus, warm yellow interior, cool teal accents, diffused daylight, and imperfect vintage texture.
第 1 步
選擇一個年代和一種影像類型，例如 1920 年代電影或 1940 年代新聞片，因為時代會共同決定色調、顆粒和損壞效果。
第 2 步
在一個圖像提示詞中同時描述場景和老舊外觀，或附加老舊畫格作為色彩和質感參考，使第一個畫格就已呈現底片感。
第 3 步
編輯畫格而非從頭開始，並在每次說明中加入保持濃厚類比底片顆粒風格，使新角度保持在相同時期。
第 4 步
將畫格傳送至圖像轉影片，並加入固定的顆粒段落，使模型在人物移動時保持質感靜止。
第 5 步
描述鏡頭固定，動作幅度要小，因為老影片很少有現代穩定器那樣的運鏡，穩定的畫面能讓顆粒感和晃動更清晰呈現。
第 6 步
將老電影風格描述作為一個段落，貼入每個影片提示詞中，這樣整部影片就能在一個時代風格中一鏡接一鏡保持一致。
This style mimics the appearance of old film photographs, characterized by visible grain, slight color shifts, and a worn, textured quality.
The lighting appears soft and diffused, contributing to a nostalgic and atmospheric feel.
This style heavily relies on dramatic lighting, creating stark contrasts between deep shadows and bright highlights.
The limited grayscale palette emphasizes form and texture, often with a grainy or textured appearance characteristic of film photography.
黑白特寫,帶有厚重粗糙的顆粒感、柔焦效果和膠片條紋元素。
Flickpedia 沒有為此編輯精選風格提供文字說明,因此這行由我們撰寫。(Flick 備註)
The image features the characteristic soft focus, muted colors, and subtle vignetting often associated with vintage Polaroid photographs.
A slight grain and a faded, warm color cast further enhance the analog, nostalgic feel.
一種讓影片看起來像是數十年前在老化膠片上拍攝的外觀：粗糙顆粒、刮痕和灰塵、閃爍、稱為片門晃動的輕微畫面搖擺，以及棕褐色、銀色或褪色的色彩。當幾種效果同時出現時才會呈現老舊感，而非單一效果。
在影片提示詞中描述時代及其瑕疵，例如「1940 年代老舊檔案影片，帶有粗糙顆粒、刮痕和片門晃動」，並從一個已經看起來老舊的畫面開始。將顆粒描述為固定的疊層，這樣它就不會隨著動作游移。
按名稱要求它們並描述為偶爾出現，例如「輕微灰塵和刮痕」，並將它們與某種影片類型連結，如新聞片。若要精確控制刮痕出現的位置，可以生成乾淨影片後在編輯器中添加刮痕疊層。
早期攝影機和放映機無法均勻曝光每一幀，因此亮度會逐幀脈動，膠片在片門中也會輕微移位。在 AI 提示詞中，描述為「輕微閃爍、曝光呼吸和偶爾的片門晃動」。
在提示詞中指定年代與色調,例如「1920 年代復古影片,棕褐色調」,並加上明顯的膠片顆粒感。在每次編輯時重複這段描述,讓新生成的畫面保持相同的棕色、琥珀色高光。
較小的膠片畫幅需要放大更多倍,所以 8mm 呈現最粗的顆粒感和最柔和的細節,16mm 介於兩者之間,而 35mm 則最細緻、最乾淨。若要營造家庭錄影的感覺,可指定 8mm 或 Super 8 並強調顆粒感;若要呈現檔案或紀錄片素材,則用 16mm。
您可以免費開始使用。Flick 在您註冊時提供 100 點數,加入 Flick Discord 後再贈送 200 點數。使用 Flickpedia 風格生成影像(包括 GPT Image 2 和 Nano Banana Pro)可在 Free 方案中使用。大多數影片模型(如 Seedance 和 Kling)需要付費方案。
本頁面的每個鏡頭都來自公開的 Flick 影片畫布，並標註了創作者。風格描述來自 Flickpedia，除非標記為 Flick 註解。
選擇一個時代,在每個提示詞中貼上您的老電影描述,讓顆粒感從第一個畫面到最後一個鏡頭都保持一致。
免費試用，無需信用卡。
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