7단계로 Kling AI를 사용하여 단편 영화 만드는 방법

대부분의 첫 Kling 영상은 흔들립니다: 샷마다 얼굴이 바뀌고, 카메라가 떠돌며, 목소리가 매번 달라집니다. Karan Archana는 Summer 2026 Flick Residency를 위해 하나의 Flick 캔버스에서 89개의 Kling 3.0 4K 클립으로 3분 21초짜리 가뭄 드라마 Drop of Water를 만들었습니다. 우리는 그 모든 프롬프트와 설정을 하나하나 읽었습니다. 이 가이드는 Karan이 했던 방식으로 Kling AI를 사용하는 방법을 7단계로 설명하며, 각 단계마다 영화의 실제 샷과 그것을 만든 정확한 프롬프트를 제공합니다.

Flick의 Kling 영상 모델은 Standard 플랜 이상에서 실행됩니다.

Kling AI로 단편 영화를 만드는 방법은 단계별로 어떻게 되나요?

1. 1단계

   캐릭터 시트 만들기

   모든 Kling 시작 프레임이 동일한 얼굴과 옷에서 나오도록 영상 제작 전에 캐릭터당 하나의 회전 시트를 만드세요.

   • 흰색 배경에 Ken의 6개 패널: 정면, 양쪽 측면, 뒷면 및 두 개의 얼굴 클로즈업.
   • 그의 이전 초상화 3개로부터 GPT Image 2로 제작했습니다.
   • Karan은 Evelyn을 위해 동일한 시트를 만들었고, 각각에 대한 표정 시트도 추가로 제작했습니다.

   

   Professional character turnaround reference sheet for Ken: a late 30s South Asian man, medium brown skin, lean athletic build around 5'10", short slightly wavy black hair, sharp tired intelligent eyes, strong jaw, wearing dark slim-fit cargo trousers, a fitted grey technical shirt, lightweight jacket, heavy duty boots. Create ONE wide image showing SIX panels: full body front view, full body left profile, full body right profile, full body back view, AND one close-up of face from the right side, AND one close-up of face from the left side. Same character in every panel, 100% identical face and clothing matching the reference exactly, neutral A-pose for full body panels, plain pure white seamless background, even flat lighting, orthographic framing. No scene, no props, no other people.

   의미:켄의 캐릭터 시트가 여섯 각도에서 전신과 얼굴 클로즈업을 보여줍니다.

   Drop of Water 워크플로우 열기

2. 2단계

   시작 프레임 만들기

   Kling의 이미지-투-비디오는 사용자의 사진에서 시작하므로, Karan은 Ken의 두 시트를 첨부하여 이전 샷의 스틸을 다시 프레이밍하여 모든 프레임을 먼저 확정했습니다.

   • 이미지 1은 씬이고, 이미지 2와 3은 시트입니다.
   • 한 가지 변화: Ken만 클로즈업으로, Evelyn은 사라졌습니다.
   • Nano Banana Pro로 제작; 89개의 Kling 클립 모두 이와 같은 이미지에서 시작되었습니다.

   

   Image 1 is the scene: a two-shot of the man Ken (left, glasses, brown vest over grey tee, curly hair, beard) drinking green liquid from a transparent sachet in a dim dusty room, with the woman Evelyn on the right. Images 2 and 3 are reference sheets of Ken — use them to keep his face 100 percent accurate: exact features, glasses, beard, hairstyle, skin texture. Re-frame this into a tight close up on Ken ALONE, filling the frame, in the exact same moment of raising the transparent sachet to his lips and drinking, eyes lowered. Evelyn is completely gone from the frame and must not be visible at all. Keep everything from image 1 identical: Ken's identity, his clothing, the sachet with green liquid, the dim dusty room, the warm muted color palette, window light, lighting mood and photorealistic texture and grain. Shallow depth of field, background soft. Grounded cinematic realism.

   의미:켄이 녹색 액체가 든 주머니를 입에 대고 마시는 장면의 타이트 클로즈업입니다.

3. 3단계

   카메라 움직임 하나 지정하기

   Kling이 임의로 푸시나 컷을 만들지 않도록, 카메라 움직임 하나를 설명하세요. 시작 지점, 속도, 끝나는 지점을 명시합니다.

   • 울타리를 따라 왼쪽에서 오른쪽으로 한 번 팬합니다.
   • 속도를 명확히 기재: 일반 팬의 약 3분의 1 속도.
   • 표지판이 들어오고, 잠시 유지되다가 나갑니다.
   • 길이는 프롬프트 옆에 설정: Kling 3.0 4K에서 3, 5, 10 또는 15초.

   

   

   00:10

   The camera begins at the far left end of the barbed wire fence, framing only the rusted wire strands stretching across the blood-orange desert horizon. A very slow, almost glacial pan moves right along the fence line — the wire fills the frame, repeating rhythmically, the cracked earth below and the smoky red sky above. The pan speed is extremely slow — the camera should move only about one third of the distance it would in a normal pan over the full 5 seconds. The fence seems endless. Then, gradually, the weathered wooden post and the rusted "ENTRY TO NORTHLAND IS PROHIBITED" sign drift into frame. The camera barely lingers on the sign for a beat — just long enough to register its presence — then continues its imperceptibly slow pan to the right. The sign drifts out of frame. Only fence wire remains. The world is silent, red, and still. No rush. No acceleration. The entire shot breathes slowly.

   의미:녹슨 철조망을 따라 매우 느리게 오른쪽으로 패닝하며 금지 표지판이 나타났다가 사라지는 붉은 사막 풍경입니다.

4. 4단계

   피해야 할 요소 나열하기

   프롬프트를 씬, 허용되는 움직임의 짧은 목록, 그리고 AVOID 목록으로 나누어, Kling이 조용한 연기를 조용하게 유지하도록 합니다.

   • 애니메이션 목록은 다섯 줄, 각각 한 가지 움직임씩.
   • AVOID 목록은 카메라 움직임뿐만 아니라 연기 선택도 금지합니다.
   • 영화의 89개 Kling 프롬프트 중 59개가 이와 같은 목록으로 끝납니다.

   

   

   00:05

   Prompt
   
   Continue inside the same weathered house immediately after Ken lowers the government-issued water ration pouch. Maintain identical lighting, wardrobe, production design, and atmosphere. Ken stands near the back sliding door, his body still facing the window. After a long moment of silence, he slowly turns his head just enough to acknowledge Evelyn without fully facing her. His expression is calm, compassionate, and tired. He speaks quietly and gently, without anger or urgency. Evelyn stands a few feet behind him, listening in silence. She remains almost perfectly still. The camera is locked in a medium shot with an almost imperceptible slow push forward. Natural breathing, subtle eye movement, restrained body language. Photorealistic live-action film, grounded realism, naturalistic cinematography, practical production design, documentary authenticity.
   
   Animation
   Ken slowly turns his head.
   Speaks quietly.
   Evelyn listens without moving.
   Dust drifts in the light.
   No other movement.
   
   AVOID :
   
   Dramatic acting, exaggerated emotion, crying, shouting, large gestures, camera shake, handheld movement, camera pan, zoom, cinematic swoops, cartoon style, text, logos, AI artifacts.

   의미:켄이 천천히 고개를 돌려 조용히 말하고 에블린은 가만히 듣는 자연광 실내 장면입니다.

5. 5단계

   대사를 따옴표로 작성하세요

   정확한 단어를 따옴표로 넣고 어떻게 말하는지 설명하세요. Kling 3.0 4K는 영상과 함께 음성을 생성하기 때문입니다.

   • 한 줄, 다섯 단어, 그리고 그 전의 숨소리와 고개 흔들기.
   • 전달 방식이 설명됩니다: 차분하고, 낮은 톤으로, 사실적으로.
   • 대사 후 유지되는 침묵, 프롬프트에 작성됩니다.
   • 사운드는 기본적으로 활성화된 오디오 생성 설정에서 나옵니다.

   

   

   00:05

   Use the attached image as the exact first frame. Preserve the exact composition, characters, clothing, lighting, colour palette, room, lens, camera position and cinematic realism. Continue directly from the previous shot.
   
   Preserve Evelyn's existing voice exactly as established in the previous dialogue scenes. Use the same voice, accent, tone, cadence, pitch, emotional restraint and vocal characteristics already heard in the film. Do not generate a new voice or alter her vocal performance in any way. This line should sound like it is spoken by the same Evelyn from the preceding scene.
   
   Evelyn maintains eye contact with Ken in silence. Her expression is weary, composed and quietly devastated. She takes one small breath, gives the slightest shake of her head and softly says:
   
   "They're not coming back."
   
   Her delivery is calm, low and matter-of-fact. She is not trying to convince Ken—she has already accepted what he cannot. After speaking, she remains still, holding his gaze for two seconds without speaking.
   
   Ken remains softly out of focus in the foreground and barely moves. The camera stays completely locked off. Natural lip synchronization, subtle breathing, one slow blink, grounded cinematic realism.
   
   Avoid
   
   Do not change Evelyn's voice. Do not synthesize a different accent, pitch, cadence or emotional style. Do not make her sound younger, older, robotic or theatrical. Do not alter her face, hairstyle, clothing, posture or eyeline. Do not change Ken, the room, lighting, framing or colour grade. No camera movement, zoom, push-in, rack focus or reframing. No crying, shouting, trembling lips, exaggerated facial expressions or dramatic gestures. Do not add dialogue before or after the exact line. Keep Ken softly out of focus and Evelyn in sharp focus throughout.

   의미:에블린이 켄을 바라보며 그들은 돌아오지 않는다고 차분히 말하는 현실적인 클로즈업 장면입니다.

6. 6단계

   답변으로 컷

   대화를 한 대사당 하나의 Kling 클립으로 촬영하세요. 각각 새로운 오버 더 숄더 프레임에서 시작하며 이미 들린 음성을 요청합니다.

   • 이전 촬영의 정지 화면에서 만든 마지막 단계의 반대 앵글.
   • 프롬프트는 음성 지시와 고정된 카메라를 반복합니다.
   • 표현에 대한 Karan의 자체 메모가 여전히 프롬프트에 작성된 그대로 인용되어 있습니다.

   

   

   00:05

   Use the attached image as the exact first frame. Preserve the exact composition, camera angle, lens, lighting, colour palette, production design, costumes and photorealistic cinematic style. Continue directly from the previous dialogue shot.
   
   Preserve Ken's existing voice exactly as established in the previous dialogue scenes. Use the same voice, accent, cadence, pitch, emotional restraint and vocal characteristics already heard in the film. Do not generate a new voice or alter his vocal performance in any way. This line must sound as though it is part of the same continuous conversation.
   
   Ken maintains eye contact with Evelyn, who remains softly out of focus in the foreground. He hesitates for a moment, searching her face before quietly asking:
   
   "What if they come home... and no one is here?"
   
   His voice is gentle, tired and quietly hopeful. He is not arguing with Evelyn. He is holding on to the last possibility that their daughters might still return. The line is spoken softly, with a small pause after "come home..." as he struggles to finish the thought.
   
   After speaking, Ken continues looking at Evelyn in silence. He takes one subtle breath, blinks once naturally and remains completely still. Hold the silence for one to two seconds after the line finishes.
   
   The camera remains perfectly locked off. Natural lip synchronization. Subtle breathing. Grounded cinematic realism.
   
   Performance Notes
   Quiet, restrained delivery.
   No anger.
   No pleading.
   No melodrama.
   His hope is fragile rather than desperate.
   Let the silence after the line carry as much emotion as the dialogue itself.
   Avoid
   
   Do not change Ken's voice, accent, pitch or cadence. Do not alter Ken's face, hair, glasses, clothing, posture or eyeline. Do not change Evelyn's silhouette, the room, fireplace, lighting, framing or warm amber colour grading. No camera movement, zoom, push-in, pan or rack focus. No tears, shouting, dramatic gestures, exaggerated facial expressions or theatrical acting. Do not add dialogue before or after the exact line. Preserve the intimate, quiet realism of the surrounding scene.
   
   I also think the wording "come home" is stronger than "come back." Earlier, Evelyn says, "They're not coming back." Then Ken asks, "What if they come home... and no one is here?" The repetition of the same idea from opposite emotional perspectives gives the exchange a quiet symmetry without feeling repetitive.

   의미:켄이 에블린을 바라보며 딸들이 돌아올 가능성을 조용히 묻고 침묵 속에서 희미한 희망을 담은 따뜻한 앰버 톤의 영화적 장면

7. 7단계

   한 테이크를 수정하고 나머지는 유지하세요

   좋은 테이크에서 한 오브젝트만 잘못되었을 때, 다시 생성하는 대신 Kling O3 Pro로 클립을 편집하고 유지해야 할 모든 것을 나열하세요.

   • Ken의 손에 있던 봉투가 샷 사이에 바뀌었기 때문에, 편집은 봉투만 교체하고 다른 것은 그대로 둡니다.
   • 프롬프트는 프레이밍부터 대사 타이밍까지 보존할 것들을 나열합니다.
   • 편집은 테이크의 원본 사운드를 유지하며 소스 클립의 초당 요금이 청구됩니다.

   00:10

   Edit only the empty water sachet in Ken's left hand. Do not change anything else.
   
   This is a continuity correction.
   
   Replace the current sachet with the same almost-empty transparent plastic water sachet containing only a small amount of bright green liquid exactly as it appears in the previous shot (reference image attached).
   
   The sachet must:
   
   remain in Ken's left hand throughout the entire shot
   have the same size, shape, folds, transparency, remaining liquid level and orientation as the previous shot
   move naturally with his hand as he turns toward Evelyn
   never disappear, refill, change color or change shape
   
   Do not alter anything else.
   
   Preserve exactly:
   
   camera framing
   composition
   lens
   lighting
   warm amber color palette
   Ken and Evelyn's faces
   body positions
   clothing
   dialogue timing
   background
   room
   facial expressions
   pacing
   
   The only change should be replacing the incorrect sachet with the matching continuity sachet from the previous shot.
   
   This is a precision continuity edit, not a regeneration. Maintain cinematic realism in the style of Denis Villeneuve and Children of Men.
   
   One additional suggestion: attach two reference images if Flick allows it.
   
   The last frame of the previous shot, where the sachet is correct.
   The first frame of the current shot, where everything is correct except the sachet.
   
   That gives Flick a very explicit "copy from A, paste into B" task, which generally produces more reliable continuity edits than relying on a text description alone.

   의미:켄의 왼손에 든 투명 물주머니 안 밝은 초록 액체만 이전 장면과 일치하도록 수정한 연속성 편집 샷

   Drop of Water 워크플로우 열기

실제 단편 영화에서 사용한 Kling 설정은 무엇인가요?

Kling AI 사용에 대한 질문

Flick에서 Kling과 AI 영화 제작에 대한 더 많은 정보

이 가이드의 영화

• Karan Archana · Drop of Water